| Jang Online | Daily Jang | The News | Site Map |

Friends, Romans, countrymen, lend me your ears! I come not to bury Caesar, but to unearth the enigma of the very author of Julius Caesar! If you have any breath, be prepared to lose it now! If you thought fiction can beat facts, think again! I present to you the mystery of William Shakespeare! *drum roll*

The greatness and influence of Shakespeare upon English language is often compared with that of Homer upon Greek. But while we practically know nothing about the life of Homer, the more we study about the life of Shakespeare, the man we supposedly know as Shakespeare, the more we begin to doubt that he really was the writer of the magnificent plays, which are still widely read, performed and loved despite the passage of centuries! Indeed, the question of the authorship of the Shakespearian plays and sonnets is one of the most interesting riddles than can be found in the history of literature. We have been taught the Bard's plays and poems in schools where the original works proved unpalatable; we have been spoon-fed with the abridged versions. The ill-fated end of Romeo and Juliet or the pound of flesh demanded by Shylock are so deeply steeped in our collective consciousness that we are barely aware of how much it influences our thinking. This cover-story will deal with two questions you probably never asked while enjoying these plays: Who really was Shakespeare? And what philosophy did he transmit to us?

 

Shakespeare: The Man behind the Mask

 

The first of these questions has beguiled historians and scholars for centuries. The man generally considered to be the author of the plays and sonnets is a man named 'William Shakspere' from Stratford-on-Avon. The family name was spelled in a variety of ways, such as Shaxpere, Shakspeyr, etc but it was spelled usually without the first "e" of the name Shakespeare. The Shakspere of Stratford was a businessman and an actor, who is also generally thought to be the writer of the plays that came out under the name of Shakespeare. However, as far as evidence indicates, the notion that Shakspere was Shakespeare, the author, did not exist during his lifetime. It arose in 1623, seven years after the death of Shakspere, when the First Folio edition of Shakespeare's plays was published. The editors had given some strong hints in the preface that Shakspere of Stratford-on-Avon was the author, though it was never directly written. Most people have accepted this notion and believe Shakspere to be the great playwright William Shakespeare; they are known as Stratfordians. But there are those who differ for a variety of reasons. These gentlemen are known as anti-Stratfordians. Anti-Stratfordians have proposed candidates of their own, whom they consider to be the real William Shakespeare. In total around 50 candidates have been suggested at various times, but out of these, three are most popular: Francis Bacon, the philosopher; Christopher Marlowe, the famous play-writer, and Edward de Vere, 17th Earl of Oxford. These schools are referred to as Baconians, Marlovians and Oxfordians respectively. It is a convention among anti-Stratfordians that Shakespeare of Stratford-on-Avon is referred to by the spelling of Shakspere to distinguish him from the writer of the plays, Shakespeare. This convention will be retained in this article for its convenience despite its controversial usage.

According to the biography of the mainstream historians, William Shakspere was born in Stratford-upon-Avon in 1564. He grew up in difficult financial conditions, and attended the Stratford Grammar School. He then moved to London, where he became a merchant and an actor and also began to write plays and poetry, which became extremely famous. Despite the success, he never published any of the plays during his life, and although many pirated, and often inaccurate, versions were printed by some people. Around 1612, he retired from his writing career and went back to Stratford, where he died in 1616. In 1623, his plays were collected and published in the First Folio edition.

However, do not be misled by the neatly cut-and-dried outlook of this biography. Most of it is based on conjectures and guesses, because strangely enough for a man as famous as William Shakespeare, there is hardly any documentation or evidence that we have discovered about the life of Shakspere. As the researcher John Michell has aptly said: "The known facts about Shakespeare's life ... can be written down on one side of a sheet of notepaper." Shakspere didn't live in Dark Ages; he lived in England in the era of Queen Elizabeth I, an era in which many people knew how to read and write, and who did document the lives of famous people like Bacon and Queen Elizabeth and even a minor poet like John Lyly. But oddly, there is extreme paucity of information about the life of Shakspere.

The plays of Shakespeare possess an extensive vocabulary and knowledge of law, philosophy, politics, history, geography, art, music, military and foreign languages. How did a commoner like Shakspere, who didn't attend any university, come to possess knowledge like this? In fact, there is no evidence or record at all that Shakspere even attended school. The only writings that we possess of Shakspere in his own hand-writing are six signatures on legal documents, which happen to be shaky and inconsistent, revealing that he had difficulty signing his own name! The picture that appears in front of us is that of a barely literate merchant. How could he have possibility written the plays of Shakespeare?

Consistent with the lack of documentation is the fact that during the twenty-year period in which Shakspere worked in London, there is not a single record of any person meeting William Shakespeare in flesh. Not even the friends and family of Shakspere ever referred to him as a writer! And then, in Shakspere's will, which is detailed and extensive and mentions even minor items of possessions, there is not a single mention of any plays, poems, manuscripts, or any unpublished works that he wanted published, or any mention of transferring the literary rights of his works. Then there is the issue of Shakspere's class. He was a commoner, but his plays reflect a great deal of knowledge of aristocratic ways of life and the intrigues of the royal court. Perhaps these points in isolation are not very significant, but when taken all together, they all seem to indicate that there is something very wrong with the notion that Shakspere of Stratford-on-Avon was William Shakespeare, the author of the plays.

Let's us now consider some of the important candidates proposed by anti-Stratfordians as the real William Shakespeare. The first candidate is Sir Francis Bacon, a philosopher, politician, essayist and scientist among so many other things. Baconians point out some remarkable similarities between some phrases from Shakespearian plays and from Bacon's book, the Promus, which was not available to the public until about 200 years after its writing. Bacon also once confessed in a letter to be a 'concealed poet'. Another popular candidate is Christopher Marlowe, the famous playwright and poet. The tricky thing about the Marlovian theory is that according to history, Christopher Marlowe was killed in 1593, while most of the plays of William Shakespeare were written much later than this date. Marlovians believe that Marlowe faked his own death to avoid an impending death penalty for heresy, but continued to write plays and poetry under the name of William Shakespeare. However, the candidate which has most gathering at the moment is Edward de Vere, 17th Earl of Oxford, who seems to meet most of the requirements required for the writing of Shakespeare's plays and, furthermore, there are some very peculiar but striking similarities between his life and many of Shakespeare's plays. For example, he married the daughter of his guardian and the hero of Cymbeline also married his guardian's daughter. De Vere's ship was once attacked by pirates who wanted to hold him for ransom but when they came to know of his friendship with Queen Elizabeth, they released him; a very similar event happens in Hamlet. De Vere falsely blamed his wife of adultery but later dropped the charges and continued living with her; this theme of an innocent wife suffering an accusation and then ultimately forgiving her husband is a common theme in Shakespeare's plays. Edward de Vere had an aristocratic background, was trained in all the sports of a young lord, had a brilliant academic education, he was close to Queen Elizabeth and familiar with court life, he was recognised as a poet and writer, though he was never published due to the taboo associated with the publishing of plays or poetry by noblemen and he had the experience of travelling to many foreign countries, including the sites in Italy where many of Shakespearian plays are set. There are underlined passages in de Vere's Bible which correspond with quotations in Shakespeare's plays. Edward de Vere had been granted a very gracious grant by Queen Elizabeth, but it was mentioned no where what services de Vere was expected to perform in return. It is very possible that Queen Elizabeth had laid the condition with the pension that he continued writing plays but under a pseudonym, to respect the taboo and to avoid any upheavals in her court since many of Shakespeare's play involve intrigues of the court and may have been inspired by real-life persons. All in all, it seems very plausible that Edward de Vere was the real author of the plays, writing under the pseudonym of William Shakespeare.

 

Shakespeare: The Philosopher

 

William Hazlitt wrote that Shakespeare "was as good a philosopher as he was a poet." Though Shakespeare never came up with a systematic philosophical work, the philosophical themes in his plays and sonnets are hard to ignore. It is said that Shakespeare was "between cultures"; he came after the dogmatism of the Middle Ages and before the rationalism of Enlightenment. As a result, the themes of philosophical uncertainty run prominently through his plays. Shakespeare raises subtle questions about the nature of man, his place and purpose in this universe, and often ponders over the very possibility of certain knowledge. One of the well-documented influences on Shakespeare has been his contemporary French philosopher Michel Montaigne, who revived the spirit of Greek skepticism in his essays, to which Shakespeare was exposed and which he absorbed with relish. Scholars have noted Gonzalo's description of an ideal commonwealth in The Tempest, which is practically a direct quotation from Montaigne's essay "On Cannibals". In his essays, Montaigne belittles the greatness of man and considers it ridiculous that a lowly creature like humans would consider himself to be the master of the universe, when he cannot even understand it, let alone command it. Shakespeare echoes these doubts about humanity's greatness when Hamlet begins by praising man but ends with a different conclusion: 'What a piece of work is man! How noble in reason! How infinite in faculty! … In action how like an angel! In apprehension how like a god! … And yet, to me, what is this quintessence of dust? Man delights not me…' As if to say: so what if man has these qualities? The universe doesn't care. Shakespeare often concerns himself with the question of fate, such as when Julius Caesar says, "The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings." And yet, fate is stronger than man's will, for "As flies to the wanton boys, are we to the gods; they kill us for their sport." Life remains temporary, meaningless and futile. It is but 'a tale told by an idiot, full of sound and fury, signifying nothing' and men are made of 'such stuff as dreams are made on'. The world is a stage and we are all actors on it, waiting for our entrances and exits. And this philosophy of life eventually concludes in front of us as the ultimate choice:

'To be or not to be – that is the question:

Whether 'tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

Or to take arms against a sea of troubles,

And by opposing end them.'


 

Challenges to PM Gilani

By Sarah Ziyad Syed

After enduring some of our worst years in history, we have finally turned the corner and elected a civilian government and with it our 25th prime minister, Yousuf Raza Gillani. Celebrations were on a roll as we saw a ‘fantasy’ coalition being formed when the PPP joined hands with PML-N at the center, and gained the support of the JUI. Soon enough, however, the honeymoon ended and the federal government came crashing down to reality; a reality that amongst other things included lawyers protests.

Let’s take a look at some of the challenges he faces today.

Pakistan’s judiciary has been virtually suspended since March 2007 when Gen. Musharraf removed the Chief Justice. People were mistaken for thinking that with the new government this problem would be resolved. Iftikhar Chaudary was also reinstated under the PCO by Gen. Musharraf, but it was legal as he was acting as the Martial Law Administrator. On the other hand, as the acting President his 3rd November PCO was illegal, making all the current judges illegal as well. The PPP led government seems not to forgive and forget, constantly reminding Mr. Chaudary of his hard nose ruling of their prisoners, including Mr. Zardari, when they were held for years by Musharraf without charge. “Where were the lawyers then?” questions Asif Zardari. It seems this struggle with the lawyers demanding Iftikhar Chaudary be reinstated wont end any time soon.

The war on terror is yet another concern for Pakistan. It has been seven years since US forces first invaded Afghanistan. The tribal region has become impossible to govern since then. The presence of the liberal and secular ANP party in North West Frontier Province (NWFP) in Pakistan, led by Asfandyar Wali Khan is nevertheless, a positive sign. Islamabad has already made it clear that it will look into a new mandate of how to deal with the region, a statement that has made the United States tense. The new government should be careful not to make the same mistakes made by Gen. Musharraf, especially that of giving the Pashtuns a belief that it (the government) is an American puppet. A lot will also depend on who moves in to the White House in 2009 and whether he (or she) can persuade Pakistanis that this is a war against terrorists and not against Islam. Mr. Gillani must act now to ensure that fundamentalism not allowed to spread deeper in to the federation.

Pakistan was recently ranked as the world’s most dangerous country by an influential American news magazine. It is part of the low tier of countries (alongside Zimbabwe, Sri Lanka, Angola etc) in the Human Development Index and according to Transparency International, the 3rd most corrupt country in the world. This along with CNN showing images of constant civil unrest in cities across the country doesn’t do much good for our image. Mr. Gillani must address this problem by trying to improve the quality of life back home thereby helping civil servants and ordinary citizens.

Along with the other innumerable issues, the provision of basic amenities and infrastructure is also lacking. Mr. Gillani clearly has a lot to do to live up to his PPP motto of ‘Roti, Kapra aur Makan.’

This may seem like a steep task for the prime minister to tackle but it doesn’t even cover half of the challenges our country is facing. Literacy remains at an abysmal 23%, energy demands are not being met and food prices are soaring. All I or anyone else for that matter can say is Good Luck Mr. Gillani! You’ll need it.                                                       

|Back Issues: The News - Daily Jang | Community | Greetings | Tariff | Advertising | Contact Us | Comments |