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Running
up that hill
By Maheen
Sabeeh
Artist: Abbas Premjee****
Album: Elements
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Abbas Premjee
has been a part of the music industry for years. Like Aamir
Zaki, he too maintains a low profile but the man, who has actually
studied classical western guitar at University abroad, enjoys
an immense amount of credibility within the industry. Having
worked with names like Rahat Fateh Ali Khan, Rohail Hyatt and
Ali Azmat, Abbas has finally surfaced with his first solo album,
Elements that has been in the making for the last four years.
A lot has changed since Abbas began this record. Some incredible
records have come out, pop stars have risen to skyrocketing
fame (Atif Aslam, who else?) while others have vanished (Hadiqa
Kiyani) and some have come back with more vigour than ever (Strings). |
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Ironically
enough, despite all these happenings, the industry has never been
more haywire, at least in terms of the future. With no India in the
horizon (after the Mumbai blasts), the future looks bleak. But all
this, strange as it may sound, makes for an interesting time to release
an album. The competition is fierce but the work coming out is perhaps
the best one has heard in years. And Abbas has now joined those ranks
with Elements.
Ready to rise
From the first hear, it is obvious that Elements is of the fearless
variety. Abbas Premjee tells us everything he knows - not by flashing
guitar tricks but by putting on display his knowledge of old school
raags, which led to these compositions. Most melodies have evolved
from Indian raags and perhaps that is really the reason why they are
so strong.
The lead single from Elements, 'Jhoom Deewane' which is currently
running on airwaves, is a compelling beginning. With fabulous guitars
and groovy drums paired with thumping duff and darbuka, the song maintains
a very Middle Eastern vibe. Vocalist Manzoor Jhalla's notes soar to
incredible heights and descend with equal ease. It's one hell of an
introduction.
The Middle Eastern ethos with clap-like sounds and haunting atmosphere
ala weeping guitars and crashing drums continues in 'Entrainment'.
But this really is a song that showcases Rauf Sami as a singer. The
son of Ustaad Naseeruddin Sami may not have reached the level of his
father just yet but he is surely going in the right direction. As
Rauf sings, "Sade dil de dharpan/Sajana tu hai", the impassioned
vocals linger on long after the song stops playing.
Rauf Sami weaves his magic again on 'Seven Heavens' with Abbas leading
the musical front with an almost flirtatious guitar, which is such
an intriguing combination.
On the melancholic 'Mahiya', Irfan Haider is mournful, connecting
with the mood of the song. And it has to be said that the rhythm of
this tune is quite hypnotic. And the short title track 'Elements'
lurches forward smoothly and it creates a mood that is almost like
staring at a storm. It is just that powerful with Irfan Haider's explosive
alaaps. |
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'Turn
Inwards' is less inviting after the sheer force of 'Elements'. It
sounds a little redundant. The feeling of redundancy, though, gets
quickly replaced with 'Atonement'. Rauf Sami is haunting, really truly
and is such a capable singer. And giving him support is Abbas finger
picking the guitar in such a subtle and consistent fashion that is
jaw dropping.
A swift turn in mood comes with 'Sajan Bana' - an adaptation of folk
melodies from rural Punjab - with its merry-played guitars. It is
rich in both textures and emotions.
The lyrics can be inscrutable at times but this works here. With each
hear, there is a conflicting and unpredictable response. And that
is always challenging and exciting.
'Seek Peace' is gentle, understated and soothing, with alaaps from
the classically trained Manzoor and a voiceover from Aliya Chinoy
just giving it more dimensions.
With these exceptionally powerful and moody tunes, the three instrumentals
need a little time out. On their own, each song makes for pleasurable
listening. Be it the soft 'Contemplation', the apocalyptic 'Heaven
and Earth' or the resigned 'The Inner Sanctrum'. All three are curious
musical pieces but they seem to get lost amidst the more powerful
singles.
The bravery
Even though, in terms of public image, Abbas himself is just beginning,
he doesn't shy away from introducing new names like singers Aliya
Chinoy, father and son Manzoor Jhalla and Irfan Haider, and Rauf Sami
(who is the son of Ustaad Naseeruddin Sami). The showmanship of these
vocalists is grand. These are exceptional voices and they are all
new to listeners. This is a beginning, not just for Abbas, but for
all of them.
Elements also maintains solid credentials. Besides Abbas and his troop
of singers,
Gumby is brought in on drums (on tracks 'Jhoom Deewane', Sajan Bana',
Mahiya' and 'Seven Heavens') while Khalid Khan plays bass on singles
'Mahiya' and 'Seven Heavens'. Faisal Rafi, who co-produced Rahat Fateh
Ali Khan's Charkha with Rohail Hyatt and was also the recording engineer
on Strings's last offering, Koi Aanay Wala Hai, also provides expertise
in the recording department. |
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The
big question: does an album with classical guitar which crosses
genres like jazz, classical rock, Indian raags and Punjabi folk
melodies with a bunch of classically trained singers work? Yes.
This is intriguing music. It isn't plain and neither is it simple.
It is sharp and melodic, but also musically driven. The arrangement
and instrumentation is exquisite and tasteful. Abbas doesn't use
this album to show off his guitar skills and keeps the vocals to
add edge to songs. He doesn't use them as just mere fillers.
Abbas is not gunning to become the next big star in music and as
such he doesn't fall into any clichés and traps that are
consistent in most albums. A range of moods, smashing verve and
musical ideas pretty much makes up the album.
And if the last few years have proven anything, it is the fact that
listeners are always open to unpredictability. The success of Zeb
and Haniya, Mekaal Hasan Band, Rahat Fateh Ali Khan, Overload and
Fuzon (original) and Shafqat Amanat Ali Khan's Tabeer are the signs
of the times.
That said, it should also be remembered that this music will not
be digestible to all. There is no teenage drama happening here nor
is this an album filled with youth anthems. And maybe that isn't
a bad thing after all.
But Elements needs a major marketing force behind it to make it.
And the simplest way to achieve that is with consistent shows -
if Aunty Disco Project can manage shows on their own, so can Abbas.
As it is, this album is certainly not catering to the masses as
yet. It needs to build itself up and in the process, the man behind
it.
Abbas is not a known face; he needs to appear on our telly screens
more often. Ali Azmat can get away with not doing too many interviews
- his star is too huge to ignore with or without interviews - but
Abbas is still a stranger to the audience. They need to know him
to invest in him.
Ratings:
***** Solid
investment
**** Required listening
*** Good for a hum along
** Nothing ground-breaking
* Complete waste of money |
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