A n exhibition and sale of modern and
contemporary artworks by artists from thirteen Middle
Eastern and South Asian countries, is scheduled by
Bonhams of Bond Street, London, to be held in June.
Among the exhibits originating in Pakistan are the works
of its art icons such as A.R.Chughtai, Sadequain, Jamil
Naqsh and Tassaduc Sohail. Today's scene is touched with
Adeela Suleman's third dimensional constructions of
sieves, nuts and bolts, and paintings by Unvar Shafi
Khan.
Events such as these offer serious
collectors the rare opportunity to acquire the
extraordinary work of years gone by, and judging by the
art viewed, looking as fresh as if they were painted
yesterday.
The painting of A.R.Chughtai was
presented to the Iranian Head of the joint Chief of
Staff on his visit to Pakistan in 1969; it is a finer
work than any of the artist's paintings seen in the
national collection.
Bashir Mirza's work is from an
abstract series he painted in the sixties, expressing
his horror of war and violence, predominantly using the
colours red, black and blue.
Though BM changed his style through
the years, his hatred of violence remained etched in his
psyche. --MH
Art activities in Karachi and Lahore
remained on the normal track. The summer-heat didn't
dampen the spirit of art lovers to keep visiting art
galleries to experience the changing art environment
where younger artists are showing interesting canvases
redefining issues and perceptual interpretations.
Tribute to Aziz Azmi
It is seldom that we hear of an art
gallery paying tribute to someone who has served art and
literature and then, one day, decided to say goodbye.
Aziz Azmi, writer, art critic, journalist, media person
and friend of friends passed away quietly leaving a
bereaved family not knowing which way to turn to.
The City Gallery owner, Saleem, felt
deeply the loss of a friend and thus, organised an art
exhibition, inviting artist friends to donate one
painting of theirs to be sold at the gallery to provide
strength and support, now and later, to the young
daughters of Aziz Azmi. The proceeds from the sale of
the paintings will be deposited in a fixed-deposit
scheme of one of the banks for their future needs. This
should be taken as a noble gesture worthy of
appreciation from artists, art lovers, friends and
family members of Aziz Azmi.
There are some senior and renowned
artists, artists of name and fame who have come forward
and contributed for the cause reflecting a sense of
'concern' to such cases. This is a fine and highly
appreciable gesture indeed. There are some 37 artists,
all cannot be named here due to space but to name a few,
to give an idea of people who have come forward,
Tassaduq Sohail, Nahid Raza, Mashkoor Raza, Abrar Ahmed,
Hanif Shehzad and so on.
Emerging talents
As in the past, this time too, VM Art
Gallery has come up with emerging talents, showing the
works of recently qualified artists who have already
shown that they have the acumen to stand on their own
grounds as an emerging artist and claim recognition.
Year-in and year-out, this gallery provides an
opportunity to young artists to let their work get a
wider exposure and create a possibility for these
artists to be appreciated by the art community public at
large.
In this exhibition, the participating
institutes have come from all major art centres. From
Karachi, Indus Valley School of Art & Architecture,
Karachi School of Arts, Karachi University, and Central
Institute of Arts & Crafts, from Balochistan,
University of Balochistan, from Lahore, National College
of Arts and University of Punjab, from Bahawalpur,
Islamia University of Bahawalpur, from Multan, Multan
College of Arts, from Islamabad, Hunerkada and from
Peshawar, University of Peshawar.
The paintings that are being
exhibited reflect some highly talented work showing
understanding, technical approach and perceptual
interpretation in a fine manner. At this point, it will
be difficult to discuss each and every individual but
the talents on show are interesting and promising both
and defines well the future of art in Pakistan.
The reflection
At Shakil Ismail Art Gallery, Shaukat
is showing his beautiful work of street scenes and
bazaars reflecting an environment. His canvases are
interesting in the sense that colours are chosen to
reflect some sort of movement that goes well with space
and composition.
"Babylonian dreams"
In Karachi, Majmua Art Gallery has
put up a show of Shahid's canvases, titled, Babylonian
Dreams. What is the significance of this "ancient
city" and whatever the dreams, what the canvases
are exhibiting is a matter for debate but on the whole,
the female faces, to some extent distorted, are somewhat
trapped in monotony and repetition devoid of movements.