instep interview
"The sooner fashion designers reorient themselves to
ready-to-wear, the better."
Avais Mazhar, CEO Angora Textile Mills, has been manufacturing and exporting knitwear for almost 20 years and today, as he chairs PFDC and PSFD, he holds the delicate yarns that must integrate fashion and the textile industry. He talks to Instep about the wraps and weaves that will make this new brand of knits possible...

By Aamna Haider Isani

 
The man is an institution and as you drive into his empire – Angora Textiles that is a couple of hundred yards down Multan Road in Lahore – you get an immediate gist of what he stands for. The structure of his mill is simple yet disciplined, exploited by no architectural fanciness or design whatsoever but boasting a management display that does nothing but impress. It is formidable as is stands on a 30,000 square feet space that churns out over 300,000 units of clothing a month for international brands like Gap, Calvin Klein and Levi's. Yet the multi storey building does not jut out in the rustic suburbs it is built in, rather it humbly draws in its surroundings and one notices villagers and especially young children stream in to either attend the school built within or to visit the clinic and dispensary that provide free medical services.
As an industrial conch blows out a change of shift, workers stroll out in unison and head for their hot cups of tea.
 
Avais Mazhar's office is no different. There are no pictures of him shaking hands with high level officials, though he meets them regularly. There are no framed degrees or diplomas that may suggest that he has attended school at Harvard or that he is a visiting speaker at Woodrow Wilson International Center for Scholars, Washington and even LUMS. As CEO of Angora Textiles, his involvement with the textile industry of Pakistan goes back to 1988 but today he stands for much more. As a member of the Board of the Pakistan School of Fashion and Design (PSFD) and also the Pakistan Fashion Design Council (PFDC) he holds responsibility for steering the fashion industry into a new phase of synergy with textile industry, thus securing a future for ready-to-wear and pret a porter in Pakistan. This synergy, he admits, is imperative for the growth of both industries. Is it a realistic dream? He talks to Instep and explains how it actually can be made possible.
 
 
Instep: We have been talking about mergers between the textile and fashion industry for quite some time now. How and when do you see this collaboration happening?

Avais Mazhar: A couple of things need to be implemented. In the textile industry we need manufacturing capability. For example, textile dyeing and finishing is a key component before it is converted into a garment. Our average outcome is not more than 50 per cent. The global standard is 80 to 90 per cent. It is the heaviest investment in an integrated plant and if your efficiency is 50 per cent, you're out of competition because you become too costly. We need to develop those capabilities.

Second, we may have made a very good start in fashion by putting up seven schools nationwide but now the major institutes should concentrate on quality. We already have the French fashion perspective in Lahore as it is affiliated with Le Chambre. We have put in a proposal for PFDC Karachi and Islamabad and they should affiliate with Royal School of Art and FIT. Amalgamate these perspectives with our own cultures and we can provide options to the world market that will be unique.
 
Instep: Hasn't the proposal for PSFD Karachi been on the table for a long time?

AM: Yes it has but somebody has to take ownership of it in Karachi. We have been requesting Mr Farrukh (Hub Leather) and Mr Abu Shamim Arif who was assigned this task in Lahore by the Ministry of Commerce. He is, by far the best option.
He's one man who can raise a couple of crores for the school just by making some phone calls. Then Tasnim Noorani has been approached for Islamabad. Both are retired bureaucrats and extremely enlightened men. Things are in progress.
 

Instep: How much longer do you think it'll take?

AM: If somebody pushes it, students can be enrolled by end of the year in Karachi. The school will start off in a rented building, as PSFD Lahore did and the faculty is already there. Incidentally the keenest city has been Quetta. The governor called us up and said he had sanctioned 75 acres of land to build a fashion school. We told them there were no teachers. Plus they need to have some sort of fashion base, which they don't.

Instep: When do you feel the fashion graduates will begin having an impact on the market?

AM: You know, I asked exactly the same question of Mr Broca, who is the Dean of the Le Chambre School in Paris. It's a very prestigious school, which you can judge by the fact that last year Louis Vuitton's chief designer was taking some classes there. I asked him when our school would impact the market in Pakistan. He asked how many students had graduated so far. So far only 148 have. He said, "What do you expect? It's an ambience, an aura of creativity you have to create and that aura has to gather some critical mass for it to have an impact."

The Pakistani industry, until and unless it blends into fashion, will always remain a spinning or commodity producing industry - no more, no less.

Instep: Karachi designers often complain that there are hardly any fashion students at PSFD from Karachi.

AM: Admissions are advertised everywhere in Pakistan. Enrollment depends on applicants. Most students are females and honestly, how many parents would allow their daughters to move to a fashion school in another city?

There is still reluctance.

Instep: Tell us about the overall progress of PSFD.

AM: The school took off well but then there was a dip that came with an acute deficiency of qualified faculty. It was difficult to get professionals. Initially the French helped out and there was foreign faculty but they left because of the political situation. The school took a nosedive.

PSFD's progress depends a lot upon the Ministry of Commerce and how concerned it is. If you have a supportive minister, it works. All funding comes from the export development funds. We're very lucky right now and I feel the school is going to go places. At this point fresh PSFD graduates are the highest paid in Pakistan and that includes Agha Khan and IBA grads. Their starting salary is anything between 35 to 50 thousand rupees. Even those who don't qualify get employed; employment is 100 per cent.

Instep: Do you think the government has an understanding of fashion?

AM: No. It takes time to synthesize bureaucrats into fashion. They are somewhat indifferent to the school and its needs. It takes them a while to get a hang of it. Their initial reaction is "why waste money?" The government is not very sensitive but we are lucky to have a good, understanding minister these days.

Instep: Tell us about the new PSFD campus.

AM: We have started a four year program on fashion merchandising and marketing. The new campus will also have a school of Gems and Jewelry and we have teachers from Thailand and Italy. There will be a furniture school and then textiles and fabrics for furnishing and apparels, accessories and shoes and technical training. We will bring in textile chemistry: dyeing and finishing and we have managed to call in SDC, UK (Society of Dyers and Colourists) for that. We're also looking for collaboration for a technical garment institute for which we are in talks with a German university. Our design and manufacturing capability has to be at par with international standards. Form has to follow function. We cannot continue designing in a vacuum. Design has to be used by people. It must be economical, stylish and appealing. For this there must be synergy. We're late but things are rolling.

Instep: How long will it take for an integrated industry to emerge?

AM: Integration will take time; not less than 10 years. A school in Karachi is crucial. Karachi is the financial centre of the country as well as being the largest city. If Karachi does not come along, things will take 20 even 30 years. Lahore alone will not be able to pull it off. Schools are a must. Without them there is no way forward. Karachi has some outstanding designers like Maheen and Deepak Perwani who are also on the board of PSFD. There are others who are extremely talented. A fashion school in Karachi would do wonders. NIFT in India produces 700 graduates per year. There are many more institutes in India. Their growth mushroomed in 1986, which is why India is making a mark in women's wear today. It will also happen for us over a period of time.

Instep: Won't an alliance of cities be necessary for PSFD Karachi?

AM: Not necessarily. Let them develop and emerge separately. Synergy will come naturally.

Instep: What is the role of the councils in this dream? Doesn't this require a united body of designers at least?

AM: When I agreed to join PFDC, it was on the precondition that there would be one council and for a day or two there was one council but on the third day I was told it had split up. Right now the idea is that the PSFD is constituted of designers, industrialists like myself and then NGO representatives who come with a lot of experience. People like Roshaney Zafar, Seema Aziz and Azfer Hasan all have tons of experience. Mobilizing the industry for ready-to-wear will not only involve designing but also producing and marketing those designs on a large scale. PFDC will be a forum to facilitate synergy between designers and manufacturers.

Instep: Most designers focus on bridals. Won't this hamper the progression of pret?

AM: PSFD has been focusing on haute couture but that focus has to shift to pret a porter now. Until and unless the education and orientation of the designers does not move towards ready to wear, they will not make a mark on the local market let alone the global market. There are no two ways about it. Karachi is ahead of Lahore in those terms. It's a bigger city. There is more demand for ready-to-wear. Lahore will move that way with the passage of time.

Instep: Being the largest textile center, it shouldn't be so hard.

AM: The market will dictate the change. The bridal market will not be able to absorb the graduates once the numbers start increasing. And yes, Lahore has been the centre for manufacturing global brands, especially knits. There are no labels short of Armani and Versace that aren't manufactured here: Nike, Tommy Hilfiger, Calvin Klein Jeans, Ralph Lauren et al.

Instep: Your own Angora Textiles operates on quite a large scale. Why did you not think of launching your own brand?

AM: We have the manufacturing expertise but when we started we did not have the design expertise, which is required to begin a brand. Plus, the going was so good being a contract manufacturer for huge labels that nobody looked in that direction. Had we invested money then, we would have been better off. But today it is the need of the industry to move in that direction and here is where the PFDC can play a significant role.

Another role would be reviving traditional indigenous crafts that are dying away. These people will provide design components to villagers. SMEDA (Small and Medium Enterprise Development Authority) took an exhibition to Thailand recently and a buyer wanted to place an order of 50,000 dollars but the manufacturers said they could not handle it. They took an order for 10,000 only. The AHAN (Aik Hunar Aik Nazar) scheme has done some commendable work by mapping out crafts and roping in designers to see where they can assist. Certain designers are already involved.

Instep: The market is so aggressively competitive that many new designers feel that opportunities are being monopolized by older designers.

AM: The methodology we have adapted at PFDC is that there are no senior and no junior designers. So if IMG wants to hold a fashion week in Lahore, we will not send them a list of recommendations but will let them select designers. The fact that one designer has been in the game for 30 years and another for three does not qualify one nor disqualify another. The council also had fashion forecasting done by Lutz Keller and everyone was invited. Then SMEDA gave a presentation and we invited all members. Crafts from all over the county were presented and designers were asked to acknowledge their areas of interest and expertise. We do realize it's competitive and they're all vying for a piece of the same pie but we have made it open. Let them compete.

Instep: The collaboration between PSFD and PFDC is also an advantage to the council.

AM: There is no collaboration.

Instep: Wasn't the council brought in for the lecture delivered by Lutz Keller on fashion forecasting at the school?

AM: No. What happens is that the school invites these people for two or four days. They carry out their assignments and if either council wants to invite him they can pay and do so. People from Karachi are on the school board. Abu Shamim Arif is. Maheen Khan is key to everything that happens at the school. She could have arranged for Keller to fly to Karachi.

The school will never get involved in either council. It is up to the councils to approach the school for their own interest. That goes for both Karachi and Lahore. There are very clear instructions from the ministry that the school and council have nothing to do with each other. The government wants nothing to do with the councils. I'm a great one to raise funds from the government or even the private sector but I've got to be careful what I ask for. Whatever I request for the school I get, because we have a level of trust.

Ideally both councils should collaborate. If not, cross memberships should be allowed; PFDC permits it, Fashion Pakistan does not. Even if members want it, it will not happen because there is a clash of Directors. Unfortunately as a result the government does not want to get involved with either council.

Instep: IMG will be organizing Pakistan Fashion Week. Fashion Pakistan is talking about Karachi Couture Week. Is PFDC also thinking of organizing a week?

AM: I can't say at the moment. IMG coming to Pakistan is a very big deal. October will be a great start and it must happen. What I liked about IMG was that the first thing they said is that bridal is out, out, out. If you utter this word we will walk out. Pakistan Fashion Week will give designers perfect orientation into ready-to-wear. IMG comes in with a global perspective and great organizational skills. I would really want fashion schools to get involved in this exercise. Students would learn so much by association with it. The sole objective initially should be that this is a learning process.

Instep: Designers are interested but will it be an easy transition to restructure and re-orient themselves?

AM: My suggestion to them would be the earlier they do it the better. Today they have cash flows. They can take the chance to restructure their businesses. When the competition gets tougher, and it will, they may not have the time or the money. We're starting a new entrepreneurship module at the school this year to orient students on how to start a business. Fashion businesses cannot be one-man shows anymore. There will be competition and they must learn to live with it and deal with it in a positive manner. But this behaviour is not exclusive to Pakistan. Broca tells me that whenever five fashion students get together in a room all they do is fight. In my own experience, and I have dealt with many different kinds of people, they (fashion designers) are the most difficult group to deal with.

Instep: What opinion do the French have of Pakistani fashion, the school and now Pakistan Fashion Week?

AM: I'm in touch with the Le Chambre school. Broca is very upbeat. He was here last year and this year again. He says we cannot compare ourselves to Paris. Students there are doing internships with Christian Dior, Louis Vuitton and Chanel. There are so many things. But despite the handicaps, he said, the creativity enthusiasm and dynamism they see here are very encouraging. Once we move to the new campus and the ambience changes for the better, once we have a critical mass of at least a thousand students, we'll see a new level of energy. We will produce the designers that the industry needs.
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