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designerprofile
The emergence of Nida Azwer
Instep gets to know the young designer who started creating enough ripples in the fashion scene to win her an LSA nomination for Emerging Talent

By Muniba Kamal

 
There are winds of change blowing through the fashion industry. As fashion gets an all new momentum thanks to the exposure given to it by myriad TV channels, a growing number of magazines and increased corporatisation that is giving more spending power, especially to women, Pakistan is ready willing and able to spend on fashion and all that it has to offer. And this new environment is throwing up exciting new designers who come with a new thought process as to how to make their mark on the industry. One of them is Nida Azwer, who has recently been nominated in the Emerging Talent category of the Lux Style Awards.

One knew Nida Azwer socially. Young girl, in her early twenties, petite to the point of being diminuitive, soft spoken, cheerful and bubbly, Nida is the antithesis of the diva designers who have made it big. That is why a
visit to her kaarkhana-come-outlet in Phase II extension in Karachi is a revelation. A tour though the four storey building reveals one of the most incredible set ups that I have seen of someone who has only been designing for three years.
 
Nida Azwer heads a workforce of 68 people. She has a dyer on the top floor, screen printing below that, the embroidery department on the second floor and pattern cutters and tailors on the ground floor. The building was owned by her mother Zeenat Azwer who ran a garment export business from there. Now, her mother has moved out and Nida moved in when after her thesis showing at the Indus Valley School of Arts she started getting orders for clothes and they kept on coming fast enough for her to become a full fledged designer. It has to be said that the building is rather basic and ramshackle, but then again it has to be said that Nida has only been a designer for three short years now. However the set up is hugely impressive in terms of functionality.
 
And the room where Nida Azwer meets you has samples hanging of her two prêt lines, one which is smart and basic and the other where she indulges her love of embroidery that is so fine that it looks like it is printed from a distance. There is a rack of her formals, the off center glamour and richness of which reveals what she is capable of when she goes all out to make a woman feel like a million dollars.
Nida’s formals show a girl with a great love of tradition but who is rather untraditional in her way of using it. There is the reinvention of izaar, traditional pants worn at the ankle, embroidered at edges. Nida has taken them up the leg capri style and made the embellished edge much more chunkier. Teamed with a slinky backless halter, you have an ensemble that is a daring style statement. Or the dusky pink shirts with heavily worked silver sleeves that give an armoured edge to a typically pretty outfit. A peshwas is updated with a sleevesless bodice and is cut in such a way that it can be worn without lowers as an ultra glam dress.
 
“I like separates,” says Nida. “It’s much easier when individual pieces are versatile enough to be worn in different ways. That is the Maheen and Sonya Battla school of design that reinvented the way we wear clothes. Designers like Nida are carrying on the tradition and finding success. So do some of her outfits that are very sexy indeed find a market.

“It’s working in two ways right now,” she laughs. “Some clients come and want me to put sleeves on a sleeveless design, while there are others who want me to take the sleeves off an outfit and make it more strappy!”

Fashion in Pakistan is changing at an alarming rate and in a way which is rather schizophrenic. As the devout clamour for Islamic fashion and designers tinker with the iodea of catering to them, there is a growing number of girls who party and they need clothes for that lifestyle too. Shaadi season is a free
for all for everybody and designers find that they are willing to cater to everyone. And prêt is what is exciting Nida who is thinking about opening a store at the ground level of her kaarkhana.
 

“Pret for upto 5000 rupees is not worth the hassle of an appointment,” she says. “Clients should be able to walk in and buy that in small, medium or large sizes off the rack. However, for the more formal clothing, when you are paying far more for an outfit, it is important that the finished product is the perfect fit and totally to a client’s liking. So for that, appointments are important.”

With a handle on shalwar kameez, a love of screen printing, a knowledge of embroidery and embellishment, Nida Azwer will be around on the fashion scene and she will grow. Her kaarkhana tells you that this is one young designer serious about business. And the clothes that she makes show off a flair that will soon become her signature.

Nida Azwer can be contacted on (021) 5881968 and 0301-8225159

Nida Azwer’s summer dresses can be viewed on Style sectopm/