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jammin'
Vampire weekend
The Twilight soundtrack brings together rock favourites Muse,
Linkin Park and Collective Soul alongside upcoming acts from around
the world. Instep lends an ear…
By Maheen
Sabeeh
Artist: Various
Album: Twilight OST****
More than us
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To
the MySpace generation and followers of digital music, the sound
and success of the original soundtrack of Twilight might not be
a mystery. To be fair, I do have a bias for the film - its teenage
angst mixed with sexy vampires, immortality versus death, glued
into a high school love story but entertaining stuff nonetheless.
That said, to a huge lot, most artists on the soundtrack may not
ring a bell at all.
Their success may be limited to die-hard fans or internet obsessed
new music hunters but collectively, these unknown names have helped
in building a solid OST, perhaps one of the finest rock albums since
Spider-Man. Remember Chad Kroeger's 'Hero'?
Even for those who consider Twilight lame, the soundtrack which
is a cut between a blend of alternative and rock heavyweights, lays
out the dark undertones of the film.
Immortality versus mortality, danger, mystery, love - the album
covers the texture of Twilight magnificently. Hard rock fans be
warned. There are not just grating guitars and the magic of metal
here but it's more moody and thumping with ethos of electronica
spread throughout, making it all the more edgier and tricky.
First are some big guns of music. The biggest one of course is Linkin
Park with their tune, 'Leave Out All The Rest' which was first featured
on their album, Minutes to Midnight.
On
this song, the aggressive American rock band simply surrender as
Chester sings, "I'm strong on the surface/Not all the way through/I've
never been perfect/But neither have you/So if you're asking me/I
want you to know/When my time comes/Forget the wrong that I've done/Help
me leave behind some/Reasons to be missed/Don't resent me/And when
you're feeling empty/Keep me in your memory/Leave out all the rest,
leave out all the rest" - it's a fantastic, toned-down tune
on this record.
Modern
rock act Collective Soul delivers a slightly tipsy tune called 'Tremble
For My Beloved' where the lyrics continue throughout "Its a
world where madness craves/Its a world where hopes enslaved/Oh,
I tremble for my love always" as the sound creates a mournful
air. Nine years after the song was first produced, with crunching
guitars and flirtatious vocals, the song found its way on one of
the biggest soundtracks.
The third major stars on this record are British rockers Muse with
their slightly angry rendition of 'Supermassive Black Hole' which
is the most metallic and grungy song on the record.
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Another artist
that must be mentioned here is Robert Pattinson. Not only is he
leading this vampire saga on the big screen as the actor but he
has two songs on the soundtrack and the 23-year-old British actor
could easily find an alternative career in music. 'Let Me Sign'
and 'Never Think' are not musically challenging by any stretch.
But Robert Pattinson makes it all work because his vocals are fantastic.
And the songs are kept short and tight. No over-the-top solos, just
pure vocal magic.
Indie
wave rules
Twilight isn't just another ordinary soundtrack. With the big guns,
there are lesser known names and they get their shot at the limelight.
Paramore, known till now through their MySpace page have seen over
6 million hits since the Twilight album released. They have delivered
two tunes to the album including 'Decode' (which was especially
composed for the film) and 'I Caught Myself'. Singer Hayley Williams
of Paramore is a self-confessed Twilight series fan and she understood
the darkly layered emotions of the film.
Hailing from the United Kingdom, electronic duo Black Ghosts spin
a dizzying spell with 'Full Moon' while Blue Foundation are hypnotic
and sheer brilliant with 'Eyes on Fire'. A folksy feeling also comes
in with Iron & Wine's 'Flightless Bird, American Mouth.' Carter
Burwell's 'Bella's Lullaby' is shuddering while 'Go All The Way
(Into Twilight)' is liberating and sexy. With thumping beats and
wordplay that goes, "You asked me out on many dates/And took
me to exotic places/You saw the look upon your face/You men must
really love the chases/I'm going to let you have it like you've
never had before/So take me /Tonight! Lightning Strikes! Let's go
into Twilight!" - it is majestic and wild.
The artists are young and many of them will remind one of acts like
Radiohead, Alice in Chains and even Simon and Garfunkel but with
a more evolved sound and a personal approach. The wordplay is sometimes
just manic, barely hopeful and at other times mournful yet dangerous,
naïve yet beautiful, much like the characters in the film.
And that is not a bad thing at all.
True
blood
Make no mistake. The Twilight OST is not easy listening. It's a
record that tackles issues related to adolescence and at the same
time, the bigger problems of life and death, the fantastical reality
of choosing between humans and other human-like creatures with grey
shades to name just a few. The songs compiled together do justice
to the saga that is Twilight. It's aggressive and wild, cautious
and playful, scared and sacred much like the relationship of Edward
and Bella in the Twilight series.
This album was more than a sheer stroke of luck. To put together
such a varied list, Alexandra Patsavas was hired. For the uninformed,
Alexandra has previously played music supervisor to the soundtracks
of hit television series like The OC, Grey's Anatomy and Gossip
Girl. Not surprisingly, this record is currently the highest selling
rock album of the year.
In the end, the soundtrack works because it is neither disjointed
nor incoherent. It plays with your head even as you tap your feet
or head bang to Muse. And if any album can stay in your head for
weeks and still manage the same effect, it's worth a listen.
*****Get it
NOW!
****Just get it
***Maybe maybe not
**Just download the best song
*Forget that this was made |
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