![]() |
![]() |
![]() |
![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
|
Making
'it' happen After
Feroz Khan's drunken diatribe... Catching
up with For
men Being
Sanam starbytes Princess
meets frog Musical
Notes Vibes
Making 'it' happen As the socio–fashion
calendar stirs up busy excitement, the need for event managers in Pakistan is
being felt like never before.
Instep chronicles the movers and shakers who make Pakistan a happening
country Frieha Altaf
Instep verdict: If
anyone can do it, Frieha can. She works with volume and has changed the way
mainstream marketing works in Pakistan. Frieha connects the classes and
reaches out to all categories of consumers - from the fashionistas who relate
to Lux to the thousands of school children who enjoyed the recently held
Lifeboy Germcity experience in Karachi. J&S
Instep Verdict: If
there is a claimer to the throne Frieha Altaf is sitting so comfortably on,
it is Jalal and Satti. Imran Kureishi
Instep verdict: Imran
is a great choreographer but he needs to stop lending his platforms to
newcomers. He needs to bring the slick back to the flick. Asimyar Tiwana
Instep verdict: Asim
has wowed the big guns in the government; but that's easy to do as they're
clueless about the way fashion works. To actually make his mark, he needs to
concentrate on class and quality.
Hasan Sheheryar Yasin, gave up choreographing shows as a profession when he stepped into fashion designing. But choreography was his forte and that fact surfaces every time he manages his own or his friends' fashion shows. They are simple, elegant and move with clockwork precision. However, the sad fact for both Rizwan and HSY is that no designer will use another to choreograph their show!
After Feroz Khan's drunken diatribe... Feroz Khan has only
harmed his own image in Pakistan by his words, but this attitude shows the
neurosis in the Indian psyche when it comes to Pakistan By Muniba Kamal
Most people think it's
the right thing to do. What Feroz Khan said got everybody's back up. But it
doesn't look good, a President banning the entry of a has been actor and an
unsuccessful filmmaker to boot. After seeing the asinine Janasheen, one
really doubts whether his remarks should be given much credence. Feroz Khan
seems to be a man who is somewhere out there, but exactly where? Nobody
knows. However, what Feroz
Khan said expresses a deep rooted neurosis many (I stress not all) Indians
have vis a vis Pakistan. Shabana
Azmi on her last trip here also said something about there not being
terrorists in India because it is a secular country. It seems
that Indian Muslims who have their backs up when they come here. Both Shabana
and Feroz Khan's comments show that they end up comparing Muslims in India to
those in Pakistan. This is when they put their foot in their mouth. Why do they end up
doing it? Well, Shabana Azmi is a politician and she is a mouth piece for the
state of India. She wears her secularism with pride along with the bindi on
her forehead. However, Feroz Khan was drunk and shot off the mouth. Of
course, even though he's not a politician – such an artless, tactless man
would never make a very good one, his comments have been hijacked by the BJP,
whose Vice President has lauded Feroz Khan for being a true nationalist. This
has made Akbar Khan even more furious. In order to pacify the controversy
that has broken out, their media machine has gone into overdrive and is
trying to shift the blame of the fall out onto Fakhr e Alam. "'When I did my
research, it came to be known that the origin of the story of this
so–called ban was from none other than Mr. Fakhr e Alam, the compere of the
Press Conference in Lahore," said Dale Bhagwagar, Akbar Khan's PRO.
" I'm told, Mr Alam is a fading actor in Pakistan, who is 'using' this
incident to gain mileage for himself through fiery interviews in the Pakistan
media. In his quest for his two minutes of fame, he is forgetting and
ignoring the fact that he is responsible for raking up an unnecessary
'nationalistic' debate between the two countries. '' This is damage control
at its best. However, when it comes to propaganda, we are not far behind.
According to the strangest paper on the net called Pakistan Times. Here are
some excerpts from the site:
"After finishing
interviews, Fakhar (sic) went back on the stage and while concluding said
"I am proud Pakistani, I love Pakistan, Pakistan is a great country, we
are Muslims and our culture and religion teach us that even if our guest says
some unpleasant words, we ignore and forget with a large heart". The moment
Fakhar-e-Alam said these words over 1200 guests who were otherwise in state
of shock and anger over Feroz's remarks stood up and clapped for 10 minutes.
This once again made Feroz more annoyed and he started abusing Fakhar and
tried to assault the Pakistani artist. The security people had to remove
highly intoxicated Feroz to the back stage where he did not stop abusing
Pakistan and Pakistani people. He broke plates and went out of the premises
calling names. Later Feroz again tried to attack Fakhar in the lobby of the
hotel. The incident drew huge media attention both in Pakistan and India.
Invariably everybody blamed Feroz who fell from grace and admired
Fakhar-e-Alam for remaining composed and also protecting his country's
image." Fareshteh Aslam, who
covered the premier for Instep in great detail insists that none of this
fracas happened. This is spin
that is patriotic to the point of blindness and highly inflammatory to boot
about a very sensitive issue.
The ban on Feroz Khan
has been termed a "personal issue" and government officials have
hinted that the ban will be lifted if Feroz Khan apologises, but no apology
has been forthcoming. On the other hand, both his brother Akbar Khan and
Pakistan's best friend in Bollywood Mahesh Bhatt have expressed their
apologies. Even Fardeen Khan, who one hears is often embarrassed by his
father's shenanigans, tried to stop FK Sr.
Now that peace between
Indian and Pakistan is an increasing reality, be prepared for a war of words.
Indian celebrities will come and they will make faux pas', some innocent,
some pointed and others too ridiculous to be taken seriously. It is healthy
that the peace process is continuing and that five films Syed Noor's Majajan
and Daku Rani, Javed Sheikh's Yeh Dil Aapka Huwa, Reema's Koi Tujh Saa Kahan
and Salakhein will be shown at a film festival in India soon. The exhibition of
Indian films in Pakistan and Pakistani films across the border is hugely
important with the potential to revolutionise relations between the two
countries. Feroz Khan's diatribe exhibited the lack of understanding Indians
have about us as a people; as did Yash Chopra's well–meaning film Veer
Zaara that still hoisted a stereotype on the character of Pakistan.
Similarly, there have been many Pakistani films that have spewed venom
against India. This has started changing. The normalization process will not
be without hiccups, but the dialogue that comes out of it is what is
important. The reaction of Pakistani media, both print and electronic showed
that government watchdogs are not needed to put an inebriated actor in his
place – the independent press is both patriotic and savvy enough. Feroz Khan has not
harmed Pakistan by his words. He has only harmed himself. This would have
held true even if President Musharraf had not blacklisted him.
Nadya Mistry believes in
spreading awareness of fashion and setting trends through her unique design
sensibility. Instep chats with this designer who has always worked against
the norms Tell us something about
this collection?
Is this a completely
new collection or you have shown it before? I have shown this one
at Bridal Waves. I never put it up in my store as I wanted to do shoots with
it first and then stock it. You have been designing
for more than five years, what segment of the market are you catering to? I am here to make
people aware of fashion and I have been saying this from day one. Therefore,
my market is anyone and everyone who appreciates fashion and likes to buy
something experimental. I have never designed for one body type or certain
kind of people. I like to have fun with my fashion and I want people to do
the same. So do you think after
all those years you have made the difference? I think that I have
done something. Nobody had the concept of a high fashion store at that time
especially in a mall. I opened up my store and it set the trend of high
fashion boutique and many people followed it. I want people to feel fashion,
not just buy fashion, and that was the concept behind my store. I have always
experimented and came up with different stuff. I even put a twist to the
regular shalwar kameez and never followed the norms. I opened my store at a
mall for the sole reason that mall is a place where everyone comes from all
sections of the society and it's more important to see fashion to buy it.
That also makes people conscious of fashion and new trends regardless of the
fact that they buy it or not. Whatever I make has that Nadya Mistry twist. What's your take on
Fashion Council, which way are you going? I am Karachi based and
I have been in touch with Maheen so I am with Karachi. The fact is that we
don't have an industry which is big enough to have two councils. But I think
if the industry likes it that way, its fine. They have egos and issues and if
one doesn't get along with another, then they should part ways. My loyalties
are with Karachi, but I would like the council to be fair and just, with no
hierarchy. You were doing a small
show – 'Lolita' each year, why have you stopped showing? I haven't done any
Lolita shows but I have done a few others. The problem is that I am very busy
in exporting my garments right now. Then I have my handloom units to take
care of as I started manufacturing my own fabric. I have also re–introduced
my men's wear line so that's taking some time as well. What are you exporting
and are you stocking in shops abroad? I have started
exporting high fashion and ready to wear clothing to Milan, Los Angeles and
Dallas, and I have been sending them to UK for quite some time now. I am
doing this through buyers under my own label. In Milan, there is this Italian
buyer who is buying my garments, for them i get a brief on colours, etc. In
UK and USA, I export whatever I am making here. They are retailers and
wholesalers, who sell it further to stores all under my label. What you are working
on? Any shows? Next month I am doing a
show Dallas. I just did one here for the Expo 2006 in April, where I
presented my Spring/Summer collection based on floral prints. I used a lot of
chiffon and worked with florets and ruffles. I am also working on a line for
Bridal Asia this year. --Nadya Mistry was talking to Ahmer Ashraf
She's savvy, she's
stylish, she's a hit on TV and she is coming into designing. An interview
with fashion graduate Sanam Agha By Ahmer Ashraf
Sitting in friend
Ayesha Toor's lounge, she is dressed in a brown gypsy skirt and a striped
top. Her usually unruly curled locks are tied up at the back, allowing just a
few strands to wisp around her face. She isn't wearing any makeup and she
usually doesn't. The girl is style savvy
in one word – she is that street smart Jane who has much more to offer than
her looks. What adds to her knowledge of clothing is her degree in fashion,
from the prestigious London College of Fashion. This young, vivacious girl,
whose first love is fashion, is least confused about her life or her career
as a matter of fact. The reason – she takes it as it comes. When it was
getting the hang of event management through fashion shows, she joined Frieha
Altaf's Catwalk. When it was appearing in a music video, she did Ali Zafar's
'Rangeen.' When it was acting, she went ahead with it and did a sitcom. Now
she has plans for getting into fashion designing, something that she has been
qualified to do. And you never know, tomorrow she has a store on Zamzama –
Sanam Agha. Media is easy for her, fashion perhaps even easier.
"I had this knack for fashion, I was always into art and
fashion," says the girl who joined the Wimbledon Art School before she
ended up in LCF. For Sanam, fashion is paintings and sculpture coming
together, "Sculptures are my passion and paintings my obsession, and for
me, fashion is the combination of both," she explains. It is fashion
which pushed her to come onscreen, she hosted a show called Style Update for
a local channel when her friend Fariha Chapra called her. Then did the video
of 'Rangeen.' "It came to me as a surprise when they told me to act in 'Rangeen',
they had decided it already," referring to Frieha who was styling the
video and Ahsan–Amena, the directors. She tried her hand at event
management, acting and working for a local TV channel.
Sanam is every inch a
party girl, from being spotted at the French Beach on Sundays to being seen
hanging out at her friend, Shahbaz Sumar's joint, the Basement. "I like
to have a good time," she says with a smile. Sanam usually finds her
friends to be the best party people as she shares a great relationship with
most of her social friends. "Weekdays are with friends at small GTs or
chilling at their places and Saturday is the big party," she adds.
Sometimes Sanam lazes at home and spend hours in front of TV, "But I
never see what I have done, I do it very rarely," she laughs as she says
this. Instead she goes for movies and at times, she likes dine out, "I
love eating, I am crazy about Sushi and Mr Burger," she lists her
favourites in eating.
Witnesses
disappear from Salman Khan case
Gurinder
Chadha moves on
Can(nes)
Bollywood do it?
Nicole
Kidman engaged
Brangelina's
charitable ways
Princess meets frog 'Mahiya' is selling like
hot cakes but with a debut album that fails to impress, Ainee threatens to be
a one–hit wonder. By Nadeem F. Paracha Artist: Ainee Album: Princess**1/2
It is chaos being fed
upon by hoards of desperate 24 hour TV and FM channels and a highly
impressionable audience. They have no sense of history (and thus no inkling
as to what the future might look like). All that there is, is a today … or
an understanding of a today peddled to them, on one hand by the channels and
their corporate patrons, and on the other, by an army of dramatic evangelists
and moralists to whom both the future and the present belong in a desert
stuck in a time warp of fourteen hundred years ago.
Fine, but what on earth
has all this got to do with Ainee's Princess? Nothing and everything. Nothing
because Ainee surely doesn't want to be a Suzanne Vega of Pakistan. And
everything because Ainee is about to go down in history as yet another
one–hit wonder. She is an artist of today, for today, by today. Her album
may be selling in great numbers, but do remember dozens of all those
multi–selling boy bands who vanish from history like the acne that vanishes
from your face the moment you exit puberty. So this is how I am
going to treat Lady Ainee. Here today, gone tomorrow. But as a consolation, I
must add that this is how a chunk of artists in today's music scene should be
treated as well. Some six months ago,
Ainee arrived on the land's television screens with a song and video called 'Mahiya'.
Everything about the song and video was so awfully formulaic, that it sort of
went unnoticed by most viewers for a good month or two… until many of us
suddenly found ourselves actually humming it on our way to work. Something
was on. Ainee's lil' tune was sprinting in recall value past the jungle of
pop and rock videos that grace the music channels everyday. As far as frivolous,
Johnny–come–hastily commercial pop tunes are concerned, 'Mahiya' is quite
a cracker really. Don't bother about the truly bad lyrics. Instead stick to
the curiously catchy beat and Lady Ainee's euphoric, one dimensional, teen
Utopia vocals. This song's hit credentials left many among us waiting
patiently for a full length album from the singer. And this month it came. Kicking off with 'Mahiya',
it maintains its promise with 'Taweetri', another curiously catchy and meaty
bhangra ditty with illusionary house music undertones. So far so good, enough
to forgive Ainee's unrequited desire to impersonate Britney Spears on the
title track, 'Princess'. Not that she does such a bad job of it, because
Spears ain't no Steve Nicks, is she? But a singer trying to become a
Britney Spears of the east is not such a pleasant thought, really. Well, as
we move on, it becomes apparent that by the time 'Princess' fades out, Lady
Ainee's crown starts to slip. Actually it's more than
a slip as Ainee folds all ends up with a pretty pitiful piece of bhangra
slop, 'Deewani'. Awful! An energetic, sub
techno reworking of old Punjabi chestnut, 'Assan Jaan Ke Meet Lai', tries
valiantly to settle the mess created by the two preceding songs only to be
thrown back in the looming bin of bad pop with the tuneless 'Aankhon Sey
Chori'. By now 'Mahiya' is a distant memory and Ainee is hopping about
hopelessly like a crownless, make–believe princess blowing kisses to frogs! However, the next two
numbers, 'Chori, Chori' and 'Nachna' do manage to somewhat clean up the mess
with their generic Bhangra–meets–disco whippings and on which Ainee
sounds like a queer cross between the '70s kitsch of Tina Charles and the
filmi disco of Nazia Hassan. Rather entertaining listening, but nothing to
write home about. This pretense too ends
up wobbling into creaky bhangra/disco minimalism on 'Koka' which really is no
more than a tune made solely for mehendi night desperados. A regulatory remix
version of 'Mahiya' works as an unsuccessful redeeming factor to the bad pop
bashing your ears have suffered, but one can then take the headphones off to
actually thank Ainee for making this album that finally rid our heads of 'Mahiya'
once and for all. Alas, I'm back to
humming Ravel's 'Bolero' and the Signs' 'Jaana'. Good frog.
*****Classic ****Excellent
***Good **Fair/Average/Mediocre *Poor/Pathetic/etc.
- Babyshambles' lead
man Pete Doherty always finds a way of rubbing the press up the wrong way.
After his last cocaine sniffing stunt while being interviewed, he recently
horrified a TV crew member when he squirted blood from a syringe onto a
camera. He initially refused to be a part of the interview and instead hid in
a corner. When he finally sat down with his band mates for the interview, he
aimed at the lens and led the blood out.
Unfortunately, Babyshambles' bassist Drew McConnell was not amused by
his friend's rather crazy antic and stated to the MTV crew, "I think the
interview is over. I'm really sorry mate." Pete on the other hand was
quite pleased with himself and said to his band mates after the squirting
episode, "That was wicked," as they looked at him in shock. Crazy,
but a fabulous singer and songwriter, that is Pete Doherty for you!
"I can't stand to
sing the same song the same way two nights in succession, let alone two years
or ten years. If you can, then it ain't music, it's close-order drill or
exercise or yodeling or something, not music." - Billie Holiday
1. Be The One - Omer Inayat 2. Princess - Ainee 3. Sagaar - Fuzon 4. Jalpari - Atif Aslam 5. Social Circus - Ali Azmat Billboard 1. Stadium
Arcadium - Red Hot Chilli Peppers 2. Let Love In
- Goo Goo Dolls 3. Ten Thousand Days -
Tool 4. Switch - Inxs 5. Final Straw - Snow
Patrol
1. Fanaa 2. Rang De Basanti 3. 36 Chinatown 4. Aryan 5. Parineeta Courtesy: Laraib Music, Clifton Shopping Centre, Boating Basin,
Karachi.
|
|