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Here come the brides...
Wedding wear constitutes a huge portion of fashion's market in Pakistan but despite its rapid and ongoing growth, this is one market that has not crossed over into being experimental. Will bridals ever evolve?

By Zareen Rahman

 
After a fatiguing long six months of summer, a majority of Lahoris welcome the winters with open arms, embracing the jovial festivities that come with it - be they parties, GT's, barbeques or winter balls. But out of all these jubilant affairs a particular one remains incredibly anticipated (for women especially) - a wedding.

Straight after Ramazan, avid shoppers take over the markets - like armies of ants - in the search for that perfect Eid ensemble or wedding outfit. Salons too, seem to be pocketing an extra portion from their usual returns; servicing as many as 25 brides in the waiting line, at many upscale beauty parlours.
Well-known designers are also booked at least six months in advance - and normally stop taking orders around mid-November to avoid the mayhem of overflowing orders. So basically, the crux of it all is this: weddings are an occasion to look good and to socialize - so this is one gathering where people, Lahoris especially, are dressed-to-kill! The 'look' of the season is decided early, during the preliminary months, where one's personal style is oftentimes used to design the garb or to modify it accordingly. Long trousers accompanied by long kurtas and flowing jackets, or patiala shalwars with sexy, and snug kameez's, short sleeves, long sleeves, three-quarter sleeves or just plain sleeveless - anything goes really. Even the colour palette can be played around with - and in Lahore, women happen to be pretty experimental with colours and its coordination with the rest of the outfit.

Interestingly, the 'decided' look is usually almost always off the latest Bollywood flick and comes from a plethora of juicy, coffee-table magazines - full of contemporary bridal shoots.

Having said that, one actually wonders why many of us feel the need to take inspiration from external sources. Do we not have our very own signature sense of style? Do we simply lack the confidence to step up and reveal our own creative streak? Here in Lahore - apart from off and on colour experimentation - the urban populace has managed to stick to the exemplar of 'playing it safe'. And the designers too, seem to have acquired the same trend. Obviously when the demand is such, who's to blame?

Recently, upon attending a fashion show in Lahore (at the Pearl Continental), sixteen leading designers from both Karachi and Lahore displayed their bridal and formal collections. And each designer basically showcased three of their best, topical pieces.
 
The show took off with Faiza Samee's exciting bridal line and ended with the most individualistic collection of all - none other than Nilofer Shahid's wearable art pieces! HSY, Hajra Hayat, Imbias, Satrangi, Milli and Madiha, Nicki & Nina, Karma, Sonia Azher, Rouge and Maria B - were a few other designers participating in the mammoth fundraising fashion event.
 
After viewing the collections which sashayed down the ramp (with a critical eye) one found it incredibly difficult to distinguish one designer's collection from the other; for the sole reason that the designers failed to 'experiment' so that their work could be distinguished from the rest.

It is blatantly evident that a bride's look has been similar since the past, God knows how many years, and that no one - really, no one - has been bold enough to revamp it…only because local designers are afraid to step out of their comfort zones, and take calculated risks.

Our local designers have not really been keen on altering the entire bridal attire since they aren't completely certain of whether or not their clientele would be ready to adapt to such a sudden transformation.

Here in Pakistan the designer-client relationship is slightly different from the pattern followed by the rest of the world.
 
Around the globe, the designer 'educates' his customer on what would actually look best on them – from the cut, the embellishment, and the colours - the designer determines the overall appearance!

But locally, the tables are always turned, and the client dictates their terms to the designer; beginning from the embellishments to the desired cut, and overall 'look' of the outfit.

This leaves designers with a very minute scale of independence and freedom of creativity to create a new design; hence the 'look' is preserved. And fashion norms aren't shattered.
Coming back to the fashion show, where every designer's collection maintained a certain look which was similar in relation to the colours, embellishments and style, only one designer out of the entire sixteen - managed to stick to her individuality and reflected character in her clothing.

Niliofer Shahid's clothes truly stood out from the rest only because they marked her unique sense of fashion and revealed exclusive and intricate aesthetics. Her designs spoke of immense elegance and grandeur; mixed with expertise gained over the long years of her successful journey as a designer.

Shahid's collection stood out from the rest since her showcased ensembles sported an individual signature that was not the typical mundane, productions.

Elaborate patterns and chic cuts were amalgamated with long, ankle-length gowns that gave the entire image a truly, majestic look.

It's extremely hard to predict fashion in a country like Pakistan, where only a handful of people are ready to take chances in terms of clothing and style.

People remain cautious of their surroundings, what's 'usually done', the fashion norms and, in addition, are constantly bound by quite dreary, self-made, fashion trends. It is time the norms are shattered, and comfort zones left far, far behind.

– Photos by Rahat Dar