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burning
issue
Fog
of war: Clearing the air around NAPA
It's the Sindh government versus some of the most seasoned artistes
in Pakistan. The NAPA issue remains unresolved and both sides insist
they are in the right. Instep speaks to all concerned.
By Saba
Sartaj K
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The showdown: Performing
arts versus politics
"If the government wants to shut us down, it should say so
in so many words. No need to beat around the bush and make it a
matter of illegality which it clearly is not. It's not like I have
made my chachi live here illegally when I was supposed to make an
academy of performing arts,” says Rahat Kazmi contemptuously.
Rahat is one amongst many eminent names teaching and managing NAPA.
That the Ministry of Culture, headed by Sassui Palijo, sent a legal
notice to the management of NAPA to evacuate the premises of the
Hindu Gymkhana where it is presently located has made national headlines
and many an editorial has been dedicated to this issue. According
to the notice, the Hindu Gymkhana is declared a protected heritage
site under the Sindh Culture Heritage (Preservation) Act of 1994
and by constructing a theatre and auditorium within the Gymkhana
premises, NAPA has violated the agreement which it entered on September
23, 2005, with the Culture and Tourism Department and therefore,
must vacate the premises.
"Asking NAPA to vacate the Hindu Gymkhana premise is the collective
decision of the Sindh government and not a decision I took in isolation,”
says Sassui Palijo, the Minister of Culture for Sindh who was more
then willing to meet with Instep. "I can't stop my government
if they want to move forward with a decision. We have discussed
this matter for many months - this is not something we decided to
do overnight. We do believe that NAPA has been doing a wonderful
job and we want to make it clear that we are not against NAPA. But
if they have breached a contract then obviously we cannot close
our eyes. They have violated the agreement they made with the government.
The agreement clearly says that the Hindu Gymkhana has been leased
out to NAPA for 30 years and Clause 8 in the agreement says that
they cannot construct or build any other new addition or building
within the specific premises of the Hindu Gymkhana. And if they
do, then that will be considered a breach and violation of the agreement
and the property will immediately be taken away from them.”
"We
are ready to facilitate NAPA and provide them whatever they want,”
says Sassui in as humble a tone as she can muster. "We are
willing to go all out for them and will facilitate them; not only
in Karachi but anywhere they want to go be it Thatta, Hyderabad
or even Islamabad. The Sindh ministry will go beyond our limits
to help them out. We are art loving people and want art to flourish,”
she insists. "If they talk to us we are open to all possibilities.
They should suggest a place where they would like to be relocated.
The first time it was them who suggested the Hindu Gymkhana to the
government and now also they are free to suggest any place to us
and we will try our best to accommodate them. We will not leave
them in the lurch. We will give them the place, money and whatever
else they require from us,” she said.
Sassui's sister Bakhtawar, who is currently a student at NAPA was
also in her office when we went there. She made it clear that she
fully supports her sister and the government in their stance to
evacuate the Hindu Gymkhana since she believed there has been a
violation of the law.
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"I am very loyal to my academy. Everyone is extremely educated
and nice and even after all of this no one has tried to put me in
an awkward position. The teachers, especially Zia sahib, have really
encouraged me a lot. However, I agree with the government's stance.
NAPA has leased the Hindu Gymkhana but they don't own it and if they
have built something illegally, which they have, then the government
has every right to ask them to vacate,” says Bakhtawar bluntly.
"That doesn't mean the government is asking them to close down.
I don't know why people have the misconception that NAPA is being
closed down. It is not. They are merely being asked to relocate. They
shouldn't have spent so much money on the auditorium in the first
place, and should have thought about the consequences before going
ahead with the illegal construction. The students at NAPA are confused
but that is because they don't really know what is happening.
No
one is explaining it to them which is why they are feeling so frustrated,
angry and confused. I was too initially and I told my sister Sassui
that I will be the first to start a protest against the government
and her if they were not in the right but when she explained the
situation to me, I realized that they do have a point,” she
adds confidently.
War of words:
Rage and fury at NAPA
However, the management and teachers at NAPA have a different view.
"The legal aspects of this matter are clear. The government
has absolutely no standing in this matter. We have not done anything
illegal,” says Rahat Kazmi matter of factly. "I don't
think anybody is clear as to why this is happening. According to
the government the construction of the auditorium is illegal and
in violation of the contract NAPA has with them. The construction
of the auditorium started three years ago. They should have done
something there and then, why now? They can't just send a notice
of vacation for an act done 'illegally' three years ago. I'm positive
there is a background to all of this.
This is not just a simple matter of legal and illegal. If they close
NAPA down, which they will if we are made to vacate, it will be
cultural infanticide since the institution has only just begun.
What is the government's intention and who will benefit from it
is what I don't understand. NAPA is a national institute and no
private interest is vested in it; it is for the larger cultural
good of the whole nation. All of us working and teaching here are
doing it almost voluntarily. We get paid peanuts. We raised 30 lakhs
with Habib Mamoon and gave it all to NAPA. We thought the government
will laud us and appreciate the work we are doing. Instead we get
this. It is heartbreaking and saddening. |
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"Zia Mohyeddin sahib
is one of the most honest men we have in the country. When we stage
a play at the Arts Council, he ensures we put the auditorium completely
on generator so the play isn't disrupted for even two minutes if
the power goes. He pays 20,000 rupees for these 500kv generators
every night the play is staged. He could easily save the money.
But his honesty to his work and the quality he demands comes second
to nothing. And to say such a man has done something so illegal
is absolutely preposterous,” Rahat says angrily and launches
into the questions he would love to ask the government.
"I have five questions to ask Miss Sassui Palijo:
1. Has she visited the site to see if we have defaced the building
or done anything illegal? Everything in this case is based on hearsay
and hearsay is bad evidence. Nobody from the government has visited
NAPA . Someone should have bothered to make a visit.
2.
Why doesn't she ask her Secretary of Culture Mr Shams Jafferani
about this whole situation? The auditorium was constructed three
years ago when he was also the Secretary of Culture. Why has she
not taken him to task? Why has he not been dismissed yet? It is
an absolute neglect of duty on his part.
3. NAPA is a registered company. It was registered through the Federal
Secretary of Culture, the Sindh Secretary of Culture and other eminent
men such as Ishrat Hussain, etc who are all members of NAPA's board.
No construction can take place without their consent. Why are they
not being held accountable for their neglect? All of this happened
under their watchful gaze and right under their nose and yet they
did not stop it there and then.
4. The money aspect should also be considered. Everyone knows the
funding for the building of the auditorium came from one of the
friendly Gulf countries. Why was the money allowed to come in if
it was for illegal purposes? Why was the money released by the government?
5. If you feel there is a violation the first thing you should have
said is to stop building the auditorium, not just send a notice
of vacation. It started three years ago and it should have been
stopped there and then. What is the point of doing it now when so
much has been invested in it?”
Rahat Kazmi has made valid points and it is clear that the situation
at NAPA will come to a head soon - in the courts possibly. But there
is no doubt that the current stalemate is affecting the students
of NAPA who face an uncertain future.
Future
under fire: The plight of the students
Visiting NAPA and seeing the students in their element, taking part
in discussions, acting in the super-successful play Vakeel Sahib
and displaying their tremendous talent makes one realize what a
great nurturing ground NAPA is. The notion of this sanctuary being
taken away is hugely unsettling for them. And contrary to what Bakhtawar
Palijo said, the students seem well aware of exactly what is going
on.
Mansoor Ahmed, a student striving for a diploma in theatre art was
most distressed about it the stalemate.
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"We know what is
going on. We've not been kept in the dark by our teachers who keep
assuring us that everything will be alright,' he tells Instep. "We
are being asked to vacate the Hindu Gymkhana and that surely means
we will shut down. There is a lot of uncertainty in our lives because
of the notice sent to NAPA - our school and second home. Most of
us fought so much with our families to pursue theatre and now this
is happening! What can we possibly tell our families? Our struggle
will just go down the drain. This is hugely unfair and just points
to the government's shortsightedness,” he says in frustration.
Another student, Anas Sheikh is just as angry. "The government
should facilitate NAPA in every way possible rather than harass
us. Sassui Palijo is the Minister of Culture; she should know better.
When there was no academy of arts and theatre everyone created a
fuss about it and now, that there finally is one, they are trying
to strangulate it. I don't see the logic behind it. These games
of politics are beyond us. We just want to work hard and make something
of ourselves and would really appreciate it if the government supported
us rather then create hurdles in our way.”
And then there is Shehzad, who has come all the way from Gilgit
to s
tudy at NAPA. For him, the notion of going back home unsuccessfully
and facing his disappointed family is of utmost concern. "I've
come all the way from Gilgit after fighting with and convincing
my family. Now that we're all developing and progressing, this news
has come as a huge blow. There is a lot of confusion and we are
all very upset. We don't care what the issue is, but we will support
NAPA and do everything to stop this injustice. I need NAPA and I
need to prove to myself and my family that I was right in coming
so far away to pursue my dreams,” he sighs.
The government needs to realize that asking an institution to move
is not as simple as it sounds. It takes years to establish institutions
and if NAPA is relocated, precious years of education will be lost
for the 200 students currently enrolled there.
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Art
in arms: The struggle of stalwart
"I am sad with what is happening,” says a troubled Zia
Mohyeddin. "We have been asked to vacate the Hindu Gymkhana premises
without any compensation because apparently we have breached and violated
a clause in the contract we have with the government. This simply
seems to me to be a plot to kick us out. Frankly, the excuse they
have given us is groundless. We have made sure every little detail
of this building is restored to its original pristine condition. Even
where we are building the auditorium, there used to be a ramshackle
open air theatre with the ugliest pillars and it was not even being
used. 40 years of rubbish was dumped there and it took us months to
clear it out. We are now building a state of the art theatre there
- the only professionally constructed theatre in Pakistan. I am not
going to give in easily and leave the matter. The government hasn't
got a leg to stand on and I am going to keep trying for NAPA.
"Every institution grows in its environment and NAPA has been
here for three years. Uprooting and moving it will destroy it and
affect the lives of the hundreds of students presently training here.
The government should be sympathetic. They should be proud of it whereas
they are just being vindictive of the Musharraf regime or doing it
for the gain of certain individuals or parties. They are referring
to a breach which has not infact taken place. They should approach
this matter in a reconciliatory way and realize that the people of
Sindh and Pakistan will benefit from this institution and there is
no sense in strangling it.”
Talking to Arshad Mehmood, who is in charge of handling this issue
with the government, one got a slightly positive vibe. There is, it
seems, some little hope of salvaging this unsavory situation.
"I met the Secretary of Culture Mr Shams Jafferani and we are
trying to solve this issue,” he says hopefully. "I am a
very optimistic person and am hoping for a positive outcome. It is
a really complicated situation and we need to sit down and talk it
out and reach an amicable solution. I think there is a big misunderstanding
since we do have permission from KBCA (Karachi Building Control Authority)
before we started building the theatre. Even before we started constructing
the auditorium there already was some kind of construction at that
site, some terrible Roman style theatre or something which was also
a recent development. Even for us this Hindu Gymkhana building is
very important and we understand the importance of preserving it.
We have permission to go ahead with this construction and considerable
amount of money has already been spent on it.
"They say what we have done is illegal. I wish it was like that.
It would have made things so much easier but fortunately or unfortunately
that isn't the case. Mr Shams Jafferani is on the board of NAPA and
attends our board meetings. He could have very easily stopped it when
we were about to start the construction but he did not. It is almost
like giving a notice to your own self!
"It's totally absurd and beyond our understanding. We have conveyed
to the government that this is the only place we can work and that
there is no other place in Karachi where they can possibly relocate
us. It is also a matter of continuity. We are teaching 200 students
here and they cannot play with their future. The contract says clearly
that we cannot touch the Hindu Gymkhana building itself. It says nothing
of not constructing anything on the whole premises. I have gone through
the contract about 700 times and I don't see a breach anywhere. We
had written permission prior to doing this and we are just not the
sort of people to do qabzas and things like that. We don't understand
what the meaning of all this madness is and why they are creating
such a mess. The government officials however, have been kind to me.
We have decided to sit for a longer period of time and discuss this
matter through.”
Arshad Mehmood proceeded to show Instep the letter of approval NAPA
received from the Secretary of Culture's office regarding the construction
of the auditorium and it clearly stated the granting of permission
of such a construction.
It reads, "This approval is granted for addition and alteration
in the premise of Hindu Gymkhana” and is dated 17/09/ 2005.
The permission was clearly granted. And after making the necessary
checks, one found that the fax number on this letter of permission
was indeed that of the Secretary of Culture's office.
That definitely did put a lot of things in perspective. It is somewhat
clear as to who is in the right but what is not clear is what will
become of the students if this situation does not resolve in time.
And one has to think of the students.
Some have one year left to graduate while others have two. Where will
all these students go if NAPA is made to vacate the Hindu Gymkhana?
They will be left in the middle of nowhere. The government needs to
keep the students' interests in mind. They are the future of the country
and this move is not going to benefit anyone in the long run. The
government and the management of NAPA need to reach an amicable agreement
that will satisfy them both and safeguard the interest of the students.
NAPA is an institution where the young are developing their artistic
skills and abilities. The government has to decide whether the matter
of illegality is more important than the future of the youth of the
nation and indeed of the progress of Pakistan's cultural landscape
itself. |
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