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In
the picture
Kidnap**
*ing: Sanjay Dutt, Imran Khan, Minissha Lamba and Vidya Malvade
Directed
by Sanjay Gadhvi |
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The media hype
surrounding Kidnap prior to its release was huge. And for obvious
reasons. The film was promising the hip and happening Imran Khan
in a new avatar. It was the return of Sanjay Dutt in a suave role
after years of tapoorigiri.
Coupled with the fact that the man behind this project was Sanjay
Gadhvi - who has given entertaining and macho films like Dhoom and
Dhoom 2 - and it all seemed justified.
But unfortunately, like most Indian films, what starts as an interesting
thriller, eventually becomes a dragging and unabashedly preachy
moralistic tale of good triumphing evil.
The film is spun between four characters and their relationships
with each other define the crux of the film.
There is Vikram Raina (Sanjay Dutt), an arrogant billionaire who
is all about the money, Kabir (Imran Khan), a bitter vengeful angry
young man, Sonia Raina (Minissha Lamba), a spoilt, naive teenager
and Mallika (Vidya Malvade), an independent, successful woman who
is still not over her divorce.
These lives get entwined together when Kabir kidnaps Sonia. For
him, it's a game and the target is Vikram Raina. Sonia is just collateral
damage. And thus begins the thriller.
Some scenes in the film are definitely worth the watch.
It's really like a game between Vikram and Kabir. Each clue leads
to another clue. Then there are the mind games these two men play,
the shedding off of the hard exterior and the glimpses of a broken
father - its gripping stuff.
In particular, the chase between Sanjay Dutt and Imran Khan, atop
buildings, is thrilling.
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Imran Khan pulls
off the brooding and resentful youngster role magnificently. He
looks beefier with the extra weight he had put on for this role
and those smouldering, intense looks work extremely well. It's the
antithesis to the boy in Jaane Tu Ya Jaane Na. With this film, it
is clear that Imran Khan is here to stay.
Sanjay Dutt meanwhile is at his charismatic best. The man is made
for the big screen. Sharp suits, arrogance that moves to eventual
frustration and humility, Sanju Baba is the star of the show. And
watching him on our big screen is an added bonus.
If Sanjay Gadhvi knows one thing well, it's the making of some excellent
moments onscreen. And he does manage a few of them in Kidnap.
That said, there are too many flaws in the film to enjoy the film
completely.
First, there is Sonia's character and her sense of fashion. It's
understandable when she is donning skimpy outfits while dancing
but it's another thing altogether when she is kidnapped and is still
wearing little shorts and a tank top. It just doesn't look like
a kidnap but more like a girlfriend seducing her bad boy of a boyfriend.
What is with all the bare skin?
Second is Vidya Malvade who plays Sonia's mom. She is the girl who
was previously seen in Chak De India. When she comes on the screen
for the first time as Sonia's mom, a collective gasp reverberated
from the cinema hall. This was just a major casting blunder. She
didn't look like Sonia's mom. Not in looks and certainly not in
age.
Then there is the film's editing, which is pretty lame. By the second
half, one starts feeling a little restless and by the end, annoyance
is the only emotion left for the film. Kidnap needed major editing.
Without sharp chopping, it just drags on.
The most annoying section, however, was the climax. One could predict
it. That just kills the whole point of a thriller… and the
preachy ending, yuck. By the end, every character seemed to have
found some profound sense of compassion and is out to make things
right, which is even more frustrating.
In such a film, one expects something extraordinary.
Take Dhoom for example. Kabir (John Abraham) rides off into oblivion
rather than giving in to the cops. In Darr, Anjam, Baazigar, Rang
De Basanti, Race - to name a few - there are no happy endings. Something
odd and sad happening does take place, throwing one's own guesses
in the bin.
In Kidnap, the climax is like a tale of apologies, forgiveness and
compassion. Had it been a Karan Johar film, it wouldn't have come
as a shock but from Sanjay Gadhvi, who made the excellent Dhoom
2, this is a poor show.
The music is bland, the script is decent but executed horribly.
In the end, Kidnap should be seen (only on the big screen) for two
reasons: Sanjay Dutt and Imran Khan. If you're not a fan, skip it
altogether.
– Maheen Sabeeh
*YUCK
**WHATEVER
***GOOD
****SUPER
*****AWESOME |
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