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Honeymoon Travels Pvt Limited****
*ing: Abhay Deol,
Minissha Lamba, Shabana Azmi, Boman Irani, Kay Kay Menon, Raima
Sen, Amisha Patel, Karan Khanna, Sandhya Mridul, Vikram Chatwal,
Ranvir Shorey and Dia Mirza
Directed by
Reema Kagti
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Honeymoon
Travels Pvt Limited is one of the most entertaining and hilarious
films to release this year.
To tell a story of 6 married couples, 12 individuals and give every
character substantial space in the film and doing all this just under
2 hours is no easy feat but director Reema Kagti does it brilliantly.
Bravo!
Every couple is different. There is Abhay Deol and Minissha Lamba,
both of whom are like an exact replica of each other. They talk, think,
speak and often, look alike. It's uncanny, really. |
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Shabana Azmi and Boman Irani have had a painful past and together,
they heal each other's wounds. Amisha Patel is married to Karan Khanna.
She talks and talks and talks. And she has a sweet, almost a diabetic
quality to her that makes her annoying to the max. Her husband, Karan
is a classic case of a weak man, who will not stand up for what he
wants. Sandhya Mridul and Vikram Chatwal, who seem to be the happiest
couple around have quite a few secrets. Dia Mirza is married to Ranvir
Shorey. This was an arranged marriage and Dia isn't happy. And finally,
the most realistic and adorable couple in the film is that of Kay
Kay Menon and Raima Sen, college sweethearts who got married and are
on their honeymoon. All 6 couples go to Goa in a bus and so the 'honeymoon'
begins. |
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It's
a very interesting film to say the least. Almost all the couples are
very close to life. Even if one doesn't know such people, these are
stories that one has heard of before.
The film moves in different time frames, giving one a glimpse in the
past of all the characters and how they got together, their story.
It's done in a very tongue-in-cheek manner. The narrator often makes
fun of the character in a subtle manner. The narration is in the form
of a radio broadcast, like when one is listening to an RJ right before
a song. It gives the film a very surreal yet light mood.
One interesting aspect is the ratio of reality thrown in. Raima Sen
trying to manipulate her husband into moving out of his house, leaving
his parents and buying a new house is one example. Boman Irani's daughter
hating Shabana Azmi because she doesn't like the idea of her father
being married to another woman is another instance. |
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The brilliance, however, is that the director has held a progressive
approach to such matters. She doesn't leave it to the audience
to decide but makes a statement through her screenplay.
Honeymoon Travels Pvt Limited doesn't try to strike a debate
between arranged versus love marriage nor does it take a swipe
at any of the two. All it does is show that be it love or
arrange, things can go wrong. Often, the happiest couples
are the one who are the most in trouble.
Most actors
in this film are not big names but almost all of them deliver
exceptional performances.
Boman Irani and Shabana Azmi are, as always, in top form.
They pull off the old couple part very well and manage to
generate chemistry, too. Raima Sen hasn't had many decent
films to her credit. But here, Raima Sen shines as the wife
who slowly breaks away from the shackles of a traditional
housewife and learns how to be, just herself. Playing her
counterpart, Kay Kay Menon proves, like always, that he is
one of Bollywood's most underrated actors. From the sadistic
warden in Deewar to the ungrateful, deceptive son in Sarkar,
Kay Kay really has come far. Amisha Patel, who has the ability
to make one want to not want to watch a film primarily because
of her sheer presence, manages to hold her ground. And then
there is the beautiful Sandhya Mridul, who has proven her
acting prowess on Indian television with soaps like Koshish.
She is magnificent as the outspoken Indian girl.
Every actor brings a level of charm and uniqueness to this
ensemble movie that is truly one of the funniest films to
come out of Bollywood after the small budget, Khosla Ka Ghosla.
Many directors have tried telling stories of too many characters
but they have often failed despite big budgets, huge sets
and an even bigger star cast. Salaam-e-Ishq is the most recent
example. Darna Zaroori Hai, Darna Mana Hai, Hum Saath Saath
Hain are some other examples. Reema Kagti excels as a director
because she keeps the story simple, funny and close to home.
Small budget films in India are slowly making a place for
themselves amongst the big banners. Now it is films like Khosla
Ka Ghosla, Jhankar Beats, White Noise and now, Honeymoon Travels
Pvt Limited who are giving big films like Nishabd a run for
its money. Such films have given Indian cinema a lot more
substance and style than many mediocre films with well-known
names.
In a nutshell, Honeymoon Travels Pvt Limited, without being
preachy, takes a tongue-in-cheek look at marriages, their
survival, what it takes and how two individuals often compromise
and eventually end up at a middle ground. This is one fun
flick, it definitely deserves two thumbs up!
--Maheen Sabeeh
*YUCK
**WHATEVER
***GOOD
****SUPER
*****AWESOME
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Stranger
than Fiction*****
*ing: Will Ferrell, Emma Thompson, Maggie Gyllenhaal,
Queen Latifah and Dustin Hoffman
Directed by Marc Forster |
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Take
a tragic geek (with bouts of obsessive compulsive disorder),
a shiny magical wristwatch (that has a life of its own) and
a successful author (who takes great gratification in bumping
off her main characters) and what do you get? A film that is
a cut above typical 'family fluff comedies' in terms of a bizarrely
comic plot and excellent actors to boot.
In the film, Ferrell plays a low-key, meticulous IRS agent (Harold
Crick) whose life is full of numbers and calculations, disturbingly
clean starch white sheets (with everything in its right place)
and a compulsive need to brush his teeth a certain number of
times. Yes, he's one of 'those' (contently) isolated, highly
intelligent individuals who spend their lives functioning like
well-oiled machines in demanding, number-crunching jobs - where
personal desires, emotional fulfillment and a sense of adventure
are completely alien. |
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The
character played by Ferrell is a tragic yet quirkily comic one,
just like that of Melvin's played by Jack Nicholson in As Good
as it Gets. But Crick is slightly special. For one, he isn't
shrouded by a cloud heavy with caustic thought; neither is he
a character who says things that are (unintentionally) hurtful
(like Melvin's). Crick has a poker-faced innocence that is coupled
with a (conscious) conviction that his (mechanical) life is
fine just the way it is.
And then one morning, Harold hears a woman's voice which says:
"Little did he know that this simple seemingly innocuous
act would result in his imminent death" as he goes about
his day. "What? What? Hey! HELLOOO! What? Why? Why MY death?
HELLO? Excuse me? WHEN?" Hollers a maniacally paranoid
(now un-poker-faced) Harold at the sky above. The scene is uproarious
and sets the tone for what is to follow. Who is this woman with
the heavily accented voice? How and why does she keep narrating
Harold's life? If she's just a narrator for the movie, how can
Harold hear her? But he does. Loud and clear. Where Harold goes,
the voice follows, what Harold does, the voice simply describes
and relates.
And up until now (and till somewhere in the middle of the movie)
both Harold and the viewer are shoved into the same boat of
bafflement (albeit Harold remains slightly more 'up the wall'
given it's his life the woman is narrating!).
The movie deals with a bigger 'issue', which is mainly the isolation
that one feels in this robotic-high-tech-gadgetry 'new world'
(of the highly overrated 21st century) that we live in today.
And unlike those 'I was a geek before I realized my dreams,
hoo-haa look Ma' flicks, Stranger than Fiction is digestible
due to its fantasy ("this may sound like gibberish to you,
but I think I'm in a tragedy") elements and humorous ("yes,
I'm relieved to know that I am not a golem") expose of
each character.
For those of you who may have enjoyed films such as Eternal
Sunshine of the Spotless Mind, Lucia, The Hitchhiker's Guide
to the Galaxy and Magnolia, Stranger than Fiction is the modern,
class-A fantasy/comedy of the year.
--Sonya Rehman
*YUCK
**WHATEVER
***GOOD
****SUPER
*****AWESOME
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