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jammin'
Spin that record, babe!
Lady GaGa's debut album The Fame ushers in a new era of female pop domination

By Saba Imtiaz

 
Artist: Lady GaGa
Album:
The Fame****
Not since the heydays of Madonna, Cyndi Lauper, Kylie Minogue and Tina Turner have female pop musicians been so en vogue. Riding on a wave of success are artistes like Santogold, Katy Perry, Adele, Duffy and the sensational Lady GaGa.
 
With an alias like Lady GaGa, there wasn't any doubt that she would garner a lot of attention. Add to that her dislike of wearing pants, a love for fashion (citing Donatella Versace as an inspiration) and kookiness and she was bound to create a frenetic amount of attention. But unlike other female vocalists like Britney Spears and Christina Aguilera, Lady GaGa has actually been blessed with talent! That alone may be reason to rejoice after having to stomach bad pop for the past few years, and to erase the Spice Girls' hysteria from our memories altogether.

Lady GaGa has worked with several musicians, wrote a song on Britney's last album and was picked up by Akon, who signed her on to his label. And as a British musician, Lady GaGa and her peers La Roux, Little Boots and Bat for Lashes may just be well set to ensure that the sun doesn't set any time soon on Britain's musical empire.
 
And on her debut album The Fame, singles off which have risen to the top of the charts in the US and UK on their release, Stefani Joanne Angelina Germanotta aka Lady GaGa has become a musical force to be reckoned with. Not in recent history has someone fused modern pop, extremely catchy hooks with self-professed influences from Queen and David Bowie in such a great way. And on The Fame, the songs that stand out are the disco-electro pop infused songs, not her take on producing sappy ballads (a typical trap pop singers fall into).

Take the lead single, 'Just Dance', on which she collaborated with Colby O' Donis. Kicking off with an almost siren sound that melds into a pulsating beat, the song has Lady GaGa lamenting about being too intoxicated and wishing 'I could shut my playboy mouth' leading into the extremely addictive chorus: "just d-d-d-dance!" which from Lady GaGa sounds like an order you're only too willing to follow.

Poker Face' on the other hand is distinctly reminiscent of Boney M (or perhaps I just heard 'Ma Baker' one too many times as a child) but as a pop song its strength doesn't lie in its lyrics ('Can't read my poker face/No he can't read my poker face/She's got me like nobody') but in the brilliant melody and the electronica influences. The production also helps: making her sound as intoxicated as Britney, as in love with herself like Madonna, as dance-happy as Kylie and as edgy as Gwen Stefani. The song 'Paparazzi', definitely has 'hit' written all over it!
 
The central theme running through this album appears to be that newfound 'I don't care, I'm a CELEBRITY!' feeling meets the 'Girls Just Wanna Have Fun' spirit of the '80s. This is prominent on songs like 'Disco Heaven' which was featured as a bonus track on several of the released editions of The Fame or 'Paparazzi' which sees Lady GaGa take a new take on the word paparazzi. Instead of ranting about the pitfalls of being famous and as rich as Croesus, 'Paparazzi' sees her singing about being obsessed with a boy, in a stalker-fan manner: 'I'm your biggest fan, I'll follow you until you love me'. This is one of the key highlights of The Fame. The album also delves into the 'Material Girl' page from Madonna's wide repertoire of music: citing the woes of not having money, having too much money et al on songs on the provocative 'Beautiful Dirty Rich' or 'Money Honey'.
 

Lady GaGa is escapist music at its best and it would be unfair to stereotype it as just a guilty pleasure. It helps that the album boasts great production. But what remains to be seen is whether she can keep up with the momentum The Fame has generated on both sides of the Atlantic, though the few singles she has put out since its release have all been great, if not in the leagues of 'Paparazzi' and 'Poker Face'
.
What also works in her favour in the long run is her love for fashion: something singers like Beyonce discovered when they were far ahead in their careers. That may help give her a long-lasting edge in an entertainment industry where musicians inevitably link up with fashion. Beyonce is now wearing creations by Gareth Pugh for her concerts, Madonna was the face of Louis Vuitton last season and Kanye West was the biggest celebrity at this year's fashion weeks, even designing a range of trainers for Louis Vuitton.

But that's a thought for another day. Till then, I'm going to keep singing and dancing madly to 'Just Dance', as I expect, are most of this artist's fans.

Verdict: Lady GaGa puts it best: "I love this record baby, but I can't see straight anymore!"
Disclaimer: The writer bears no responsibility if you burst into a Lady GaGa song at the most inopportune of times.

*****Get it NOW!
****Just get it
***Maybe maybe not
**Just download
the best song
*Forget that this was made