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The Sketches dabble in rock-lite with Dastkari
The boys from Jamshoro work hard to put across the talent at their disposal

By Amina Baig
Album: Dastkari**
Artist: The Sketches

 

While listening to The Sketches' debut album Dastkari, one has to keep a really open mind, because while one element will impress to no end, another just might disappoint to the point of wanting to chuck your headphones and play Solitaire on the computer instead.

The Sketches have taken a spiritual route with their introduction to the world in 'Maujood', the first single off Dastkari to be released. 'Maujood', according to the CD inlay is a piece from Shah Bhitai's ultimate compilation of poetry, Shah Jo Risalo, and is sung in perfect devotional style a la Allan Faqir. One finds oneself warming a little to The Sketches with 'Maujood', even though as a matter of personal opinion, devotional-fusion music aka 'sufi rock' is a bit done to death and just seems pretentious at times, but perhaps that is just because of the connotations the genre has attached to it thanks to the sufi rock pioneer and over-doer of Pakistan.

'Maujood' seems to be sung from the heart, and the music accompanying it has the perfect mix of solemn undertones layered over with more uplifting sounds. Lead vocalist Saif really wraps his voice around this one, and perhaps the fact that the Sketches boys hail from Jamshoro, Sindh, has something to do with the fact that they really feel Bhitai's words and hence are able to articulate them in music as well as they do.

On the other hand, The Sketches seem to be really into the pop-rock genre, as is evidenced by all the songs on their album that are not of devotional nature. Once again, purely as a matter of personal preference, some songs are way better than the others - hence for the purpose of this review, let's play Dastkari on shuffle. The one song that really puts a smile on one's face for its pleasing opening riffs is 'Bhool Chuka'. For about 23 seconds, one is all geared up to be The Sketches' biggest fan. And suddenly Saif's voice cuts through the pop-y guitars which feels like a jolt of epically nasal proportions. Suddenly, one is forced to wonder if The Sketches are actually a band that is meant to produce purely sufi rock/pop?

A new option appears with 'Kabhi', which a sort of diversification on the Sketches' sound. True, 'Kabhi', like 'Subha' or 'Bhool Chuka' is pretty pop-rock as well, but this is 'rock' as Shankar-Ehsan-Loy might envision it. At which point I would like to add as a side note that it is sometimes hard to understand what exactly is being sung - perhaps it is a bit hard to focus on the lyrics with the music drowning out Saif's voice more often than not, or maybe the quality of Saif's voice tends to garble words. Whatever it is, it needs to be addressed and fixed. On the other hand, 'Kabhi' proves that The Sketches will be quite good at producing songs that will win favour from audiences that like the musical offerings from Rock On or My Name Is Khan, and that audience actually makes up a big chunk of the subcontinent.
'Ek Insaan' is slightly on the rock side, with heavier riffs, and very straightforward vocals without too many twists. The problem with this might be something that a friend who has heard the song said: "this sounds like a bunch of friends just jamming", she had remarked.

'Ek Insaan' is a cut and dried rock tune, yes, this is where though The Sketches' one true failing becomes painfully clear: they lose out on lyrics. Whomever it is writing the words to their beats (apart from Bhitai or Sarmast), is doing a job that any angst-ridden adolescent could do. Granted that a lot of the songs on Dastkari are more towards the 'inner peace' frame of mind, they however, end up sounding a little juvenile.
Just when The Sketches start to bum one out a little, 'Haq Maujood' pops up to prove once again that these boys have talent, maybe it's a little raw, maybe just a little unguided, but it's definitely there. 'Haq Maujood' was penned by Sachal Sarmast, an 18/ 19th century sufi poet who believed only in the reality of god and the rest to be illusions. The words are poignant - the music, not half bad. Maybe AC/DC when they were kids, but it is a start. And that really brings one back to an earlier thought on The Sketches.

With the faults that their debut venture possesses, perhaps the most gripping thing about The Sketches is the passion, and conviction with which they sing. Now when they rock out they might sound like Metallica pumping with Estrogen, and Saif's vocals might just be more twangy than one might like - but Saif and Naeem sing and play confidently, as if they are convinced that there is no way for their music to take them but up, and rock has always been about the attitude, hasn't it? And simply because the Sketches are so sure they will do well that they send that vibe across their music, one must overlook the flaws and hope they will tighten their act and do better with any future work. Because they have the skill, they just need some education.

*****Get it NOW!
****Just get it
***Maybe maybe not
**Just download
the best songs
*Forget that this was made