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The Tourist**1/2
*ing: Angelina Jolie, Johnny Depp and Paul Bettany
Directed by: Florian Henckel von Donnersmarck

 

On paper, The Tourist had everything going for it. Namely two of the world’s biggest movie stars together (for the first time) in one of the world’s most beautiful cities, Venice. Not surprisingly, The Tourist is beautiful to look at but looks ain’t everything. And that’s where this high profile, starry flick disappoints.

The shots of Venice are so dazzling that I wish I were there as I watched the movie. But get past the scenic shots and you realize that the action is timid and the film is sluggish. It’s not that there is anything wrong in taking two gorgeous actors and throwing them together in an exotic location without much of a story. Because despite everything, you can’t take your eyes off these two. But after a while, it gets redundant and the charm of these good-looking actors isn’t enough to keep you glued to your seat.

The story begins with British woman Elise (Angelina Jolie) who is under surveillance from Scotland Yard. A note from her mysterious lover Alecander (who we learn has stolen million of dollars from gangsters and has undergone plastic surgery to hide his identity) guides her to take a certain train, select a passenger who resembles him and convince the authorities that the passenger is him, Alexander.

Elise picks Frank Tupelo (Depp). An American math teacher from Wisconsin, Elise sits across him and is convinced that he will follow her, no questions asked. A visibly smitten Frank does just that. He goes with the mysterious Elise to her hotel room, stays with her and is just not concerned enough when Russian mobsters are shooting at him, mistaking him for someone else. His identity crisis is a direct result of Elise’s plan and yet he says it was worth it, just after one kiss. It’s all too easy to believe. And that’s just it. The whole film is a chase for the unknown million-dollar-stealing Alexander and it’s a toss up as Frank tries to convince others of his innocence.

One can’t deny the screen presence of Johnny Depp or Angelina Jolie. They both have a commanding presence on the big screen. But despite their charming persona, their collective presence can’t take away the fact that the action sequences lack any punch, the story drags on, from train station to the lake and back, as we get the same answers from many different characters and thriller that is anything but thrilling.
For Johnny Depp, this film was a return to something fairly normal. His last couple of films have been larger than life. From Captain Jack Sparrow in the Pirates of the Caribbean series to Sweeney Todd and Mad Hatter in Alice in Wonderland, the roles have been diverse and daringly different. And after such wonderfully weird films, it was a nice change to see Johnny play a normal guy.

For Angelina Jolie, this film was the balancing act. Between dramatic films like A Mighty Heart and The Changeling, and action capers like Salt, Angelina Jolie returned to a lady-like role in this flick. She’s neither jumping off buildings nor is she shooting people. She simply moves from one place to another, playing mysterious to the hilt. She does a good job but without much of a story, Angelina is wasted as is Johnny.

Ultimately, this kind of casting could’ve lead to cinematic magic. Unfortunately, The Tourist doesn’t work for most part. If you were looking to travel and were unconvinced about Venice, this is the film to watch. But if you’re looking for an exciting thriller, this just isn’t it.

– Maheen Sabeeh

*CINEMATIC SUICIDE
**FORGETTABLE
***WATCHABLE
****COLLECTIBLE
*****AWARD-WORTHY