appointment
The director general’s cut
Is the spy chief really on his way out? If yes, who are the front-running contenders for the slot
By Amir Mir
Pakistan’s premier spy agency — Inter Service Intelligence — is set to get a new director general as Lt Gen Ahmed Shuja Pasha seems to have fallen out of favour not only with the president and prime minister also with the army chief, especially in the aftermath of the Memogate scandal which has backfired badly.

Fond farewell
Dear All,
It is time to say farewell to Bush House, that iconic building dominating the southern end of Kingsway and home to the BBC World Service for so many decades.

 

 

 

 

 

  appointment
The director general’s cut
Is the spy chief really on his way out? If yes, who are the front-running contenders for the slot
By Amir Mir

Pakistan’s premier spy agency — Inter Service Intelligence — is set to get a new director general as Lt Gen Ahmed Shuja Pasha seems to have fallen out of favour not only with the president and prime minister also with the army chief, especially in the aftermath of the Memogate scandal which has backfired badly.

Pasha is set to retire on March 18, 2012, after being given two extensions by the Zardari-led government in March 2009 and March 2010, largely on the advice of General Ashfaq Kayani. Pasha was appointed DG ISI on September 29, 2008, replacing Lt Gen Nadeem Taj, who was appointed by General Pervez Musharraf. But Nadeem Taj had to be removed under the US pressure after being accused of resorting to double dealing with militants. Nadeem had been appointed the ISI chief in place of the General Ashfaq Kayani, who had served as spy chief under Musharraf from October 2004 to October 2007.

Kayani had chosen Pasha for a variety of reasons, but the most important among them was his being green-lit by the Americans. Also, Pasha had served, just like Kayani, as Director General of the Military Operations (DGMO) — a stint from 2006 to 2008 where he had overseen the entire ambit of military engagements. Pasha’s appointment was part of a wider shake-up by Kayani to bring in his trusted aides by replacing those appointed by Musharraf.

But the fact remains that Pasha was also the moving spirit behind the Memogate which has clearly left the country’s military establishment deeply embarrassed besides causing serious tensions between the political and military elite. The scandal involved a dubious Mansoor Ijaz claiming that the Pakistan government had sought the Obama administration’s help to stave off a feared military coup following bin Laden’s May 2, 2011, killing in a US commando operation in Abbottabad. Pasha came under heavy criticism when Osama was found living in Pakistan [for the past five years], hardly a kilometre from the prestigious Kakul Military Academy, located in a high-security garrison town on the edge of Islamabad.

Despite the glaring failure of the ISI to track down the world’s most wanted terrorist, Pasha somehow managed to hold onto his position, eventually “unearthing” the Memo scam a few months later. While investigating the Memo without seeking any permission from the government, Pasha deemed it fit to travel to London, meet with Mansoor Ijaz and persuade General Kayani to take up the issue with the government, maintaining that the Memo compromised Pakistan’s national security.

In the whole process, Pasha simply bypassed the prime minister and behaved as if he was not answerable to the civilian setup.

The Memogate scam eventually forced Hussain Haqqani to quit, besides prompting the Supreme Court to appoint a high-level judicial commission to investigate the alleged role of President Asif Zardari. However, as the commission took up the case and asked Mansoor Ijaz to come to Pakistan and prove his allegations, he first dilly-dallied and finally refused to appear before the commission, citing security reasons. Finally recording his statement at Pakistan’s High Commission in London, Mansoor Ijaz literally turned the tables on Ahmed Shuja Pasha by accusing him of having toured some Arab countries after the May 2 Abbottabad raid, primarily to discuss a military coup against the PPP government.

As if this allegation was not enough to embarrass Pasha, Mansoor Ijaz further claimed that US pilots and Pakistani Air Traffic Control were in contact with each other before the May 2 raid, suggesting that the Pakistani military leadership had prior knowledge of the operation in which Osama was killed. He also spoke about a communication between the president and the army chief which they have both refuted.

Indeed, Pasha’s tenure as ISI chief will be remembered for all the wrong reasons. It was hardly a few weeks after his appointment that a group of 11 terrorists belonging to Lashkar-e-Taiba and allegedly trained by ISI, travelled by sea all the way from Karachi to Mumbai to carry out the 26/11 attacks, killing 172 civilians, including foreigners.

Some significant terrorist attacks were carried out during Pasha’s tenure and described as the intelligence failures of the ISI. The ISI was also accused of aiding the infamous Haqqani militant network to carry out the September 13, 2011 attack on the American Embassy in Kabul. During Ahmed Shuja Pasha’s tenure, the ISI was also charged with involvement in large scale disappearances and subsequent extra-judicial killings of the missing persons. The agency further came under sharp criticism for its alleged involvement in the May 29, 2011 kidnapping and subsequent murder of a senior journalist, Syed Saleem Shahzad. The slain journalist had informed the Human Rights Watch (HRW) in an email that should he be killed, the ISI should be considered the principal suspect.

Another major charge against Pasha is his overwhelming involvement in national politics to weaken the elected government. While making public US diplomatic cables in December 2010, Wikileaks had quoted Interior Minister Rehman Malik as telling then US ambassador Anne Patterson that it was not General Ashfaq Kayani but Ahmed Shuja Pasha who was hatching conspiracies against President Asif Zardari. But Patterson was certain that the ISI chief could not do it alone.

The government circles say Pasha stands zero chance of getting any further extension, although he had exploited the Memogate to pressurise the government into yielding to his craving. PML-N President Nawaz Sharif has also asked the government not to grant Pasha another extension. Chaudhry Nisar Ali Khan opposed his extension in the National Assembly.

The appointment of a new ISI chief has assumed greater significance against the backdrop of the civil-military tensions. While in theory, the country’s premier intelligence agency falls under the jurisdiction of the prime minister being the chief executive of the country who can even appoint a civilian to head the agency, in practice, the ISI falls within the army’s chain of command. But the government sources say although the prime minister has the constitutional authority to appoint the ISI chief, he would leave it to General Kayani to name Pasha’s successor. In fact, two past attempts by Prime Minister Benazir Bhutto and Prime Minister Nawaz Sharif to appoint lieutenant generals closer to their governments as spy masters had simply backfired.

Benazir Bhutto appointed Lt General (retd) Shamsur Rahman Kallu (May 1989-August 1990) while Nawaz Sharif appointed Lt Gen Ziauddin Butt (October 1998-October 1999) as ISI chiefs. But both the moves only led to strained ties between the civilian government and the security establishment. While Shamsur Rahman Kallu died of a heart attack without completing his term, Ziauddin Butt was arrested by General Pervez Musharraf’s administration when he toppled the Sharif government in October 1999.

As the country’s military and political elite has decided to get rid of Pasha and bring in a new face to head the ISI, front runners among those tipped to take over include eight lieutenant generals and two major generals. Those who have already been short-listed include Corps Commander Karachi, Lt Gen Zaheerul Islam (due to retire on October 1, 2014), Corps Commander Lahore, Lt Gen Rashid Mahmood (due to retire on April 9, 2014), Corps Commander Peshawar, Lt General Khalid Rabbani (due to retire on October 1, 2014), Corps Commander Rawalpindi, Lt Gen Khalid Nawaz Khan (due to retire on October 4, 2013), Corps Commander Mangla, Lt Gen Tariq Khan (due to retire on October 1, 2014), Chief of General Staff Lt Gen Waheed Arshad (due to retire on April 9, 2014), Director General Joint Staff Lt Gen Muhammad Asif (due to retire on April 15, 2015), Adjutant General at GHQ Lt Gen Javed Iqbal (due to retire on April 15, 2015), Director General of the Military Intelligence (MI) Maj Gen Naushad Kayani and last but not the least, the deputy director general of ISI, Maj Gen Sahibzada Isfandiyar Ali Khan Pataudi.

Army Chief General Kayani is expected to shortlist three names before the March 18 retirement of Pasha, which would be sent to the prime minister who will choose one of them in consultation with the president.

Well-informed khaki circles say Corps Commander Karachi, Lt Gen Zaheerul Islam, has bright chances of being selected for the slot, keeping in view his experience in the ISI (as the head of the spy agency’s internal wing that deals with counter-intelligence and domestic issues) before his promotion to the rank of a 3-star general and his subsequent appointment as commander Karachi last year. Coming from a military family of Punjab province, Islam enjoys a rapport with General Kayani.

But it is believed that Adjutant General Lt Gen Javed Iqbal has an equal chance of being selected, mainly because of his having served as Director General Military Operations (DGMO) before becoming Adjutant General. But there are those in the establishment circles who do not rule out the possibility of Kayani elevating the incumbent director general of the Military Intelligence, Maj Gen Naushad Kayani, as the next ISI director general by promoting him to the rank of lieutenant general to make him eligible for the top slot.

However, the deputy director general of ISI, Maj Gen Sahibzada Isfandiyar Ali Khan Pataudi, could well become the dark horse due to his personal friendship with Kayani. Coming from the famous Pataudi family of the Indo-Pak subcontinent (which made its mark in the fields of showbiz and cricket, both in India and Pakistan); Isfandiyar is an accomplished polo player and chairman of the Pakistan Polo Association. Pataudi’s close aides say his closeness with General Kayani, coupled with his liberal outlook and distinguished family background, could go to his advantage. An armoured corps officer, Isfandiyar, however, first needs to get a promotion to the rank of lieutenant general to become an eligible contender for the top slot.

  

Once the names of serious music lovers were counted, that of Lutfullah Khan echoed like zabaan-e-khalq and naqara-e-khuda. His name figured somewhere on the top.

And it had to be at the very top because he dedicated his life to the collection of sound, in particular music. In the days when internet and websites like µTorrent had not made the transfer and accessibility of sound that easy, the archival treasure trove of music was difficult to access and listen to.

But the mystery remained among the lovers of music, particularly those interested in collection and archiving as to how big his collection was. This mystery was more out of jealousy or perhaps envy because in this twin response of jealousy and envy lies a silent comparison with one’s own collection. And till the very end, it was difficult to tell exactly about the quantity of Luftullah’s collection.

The collectors are by nature  secretive and though they talk about their collection nineteen to a dozen, they do not make it accessible to the lay fan or connoisseurs of music. Some let out very grudgingly as if to whet the appetite, a sample of a rare recording but the full exposure to the archives is always averted.

So, till the very end, it always remained a mystery because some of the details of the archives were made public or some were leaked out by those who claimed they had been told so or had seen it all.

But these claims were always received with disbelief attached to it. There was always this lurking suspicion that everything was not being disclosed, that some essential information was being held back. That was playing upon the familiar paranoia of fellow collectors.

But it was also a testament to his supposedly very large collection of sound recordings and the more it was talked about the more mysterious it all became. It was also a testament to his unrivalled passion for sound. He was so taken in by all this that he devoted his entire life to the collection of sound. And most of it, or some of it (not being privy to his entire collection), was personally recorded by him. He had the master copy of some of the most sought-after voices in the subcontinent.

It happens, if a person has a treasure of any kind, it gradually overtime is valued more than the person himself. The name of Lutfullah Khan instantly brought the sound archives to mind, it was talked about particularly on how the code of accessibility could be cracked and ultimately what would become of it once he is not around. There was an element of cruelty involved in this also because what was being zeroed in was what the man had collected and not the man himself. What would become of the treasure once he was not around? Would it be seen in the flea market as one has seen the sorry endings of other such collections?

Now that he is no more, the issue has gathered greater poignancy than ever before. Then it was aired with a streak of cruelty, now it is tabled with apprehension. One had known of repeated attempts at placing the archives in safe vaults of some public institution. There were echoes of many negotiations being carried out, many deals failing to finalise. At times it was heard that the price being asked was too steep and at times it was said that he did not approve of his collection being sold to an undeserving bidder.

Whatever the case, the reluctance on part of a lover to part with his beloved is a factor that cannot be faulted. It is a true barometer of the intensity of love. And he did love his lifelong toil that made him to run, slog and beseech for the purposes of recording.

From his books, it is evident that with limited means, even scanter resources, he was able to record the voices of some of the most outstanding personages of the last century. It was his untiring effort and unflagging commitment that made him persevere tirelessly in luring those men and women to the microphone.

This was further certified by his gracious appearance in a series of television programmes on his labour of love. There, in person, he appeared as keen and passionate, as an adolescent speaking with the verve about how some of the recordings took place, relishing and savouring the moments spent so fully. It was difficult to tell here was a man in his 90s betraying the passion of youth.

But, even during and after the programme, the query about the volume of his archives remained unanswered. What was shown on television was significant but not significant enough. It was clear that the reputation of the man did not rest on what he disclosed. It was nestled somewhere in what he did not disclose. Hence, the mystery lingered on till the very end.

And what will happen to it now is just as potent a question, as it ever was, not being shielded by the callousness of placing it before the man himself. That it should be preserved for the greater good of mankind may be a platitude but also the best homage that can be paid to him. In a society that decries the past and abhors capitalising on it, the sad tale of an individual prevailing over an institution should not be played out yet again.

 

o matter what his location, each human being is the curator of a museum. He carries within him memories of the past, regularly cleaned, carefully positioned and lovingly preserved. No one has access to that personal accumulation of events, experiences and encounters with other individuals or memories except the possessor himself.

At some point, these private matters become public; when a man decides to collect objects from his past and display them in his surroundings. Artefacts, souvenirs, domestic photographs, personal belongings, things left by ancestors and gifts from friends are placed prominently in the living spaces. Pieces of period furniture, exotic tapestries, expensive crockery and cutlery decorate drawing rooms and lounges to convey the affluence and noble lineage.

Memories, whether virtually stored in the recesses of self or visibly shown at the house, determine how one approaches the past, particularly the order in which one selects certain segments and discards other, unwanted, entities. This pattern of editing discloses the scheme of hierarchy within the chosen items/entities, as some are preferred more and given a prominent place compared to the rest. Actually, one can draw the personality sketch of a person through the objects he gathers and the way these are arranged at his place.

Museum is a large-scale house, which contains a nation or a society’s collective memory of the past. Usually, history is viewed in a specific way; thus the past is reconstructed according to the whims, designs and desires of the present. Nations in different periods of their existence make a careful selection of their past, emphasising glorious moments while neglecting or abandoning the painful parts. In our context, too, people hardly mention details from history which pose a contrast and conflict to the official version of our society’s characteristics and feats through ages. Often, these are misrepresented because the true account of incidents and personalities/heroes may contradict the sanctified narrative of history.

More than the desire to sacrifice or deface history, we have acquired a tendency to avoid it. Our behaviour towards the past is like that of a man with short memory. Perhaps due to multiple complications in our political conditions and social situations, we tend to forget our past or assume a naďve picture of it, which is usually taught to our younger generation through history books. So, most of us have acquired an attitude to evade and amend our personal, national and universal past because there is no way to formulate a version of history, that is objective, impartial and unbiased. Hence, what is presented as past is actually an extension of the present — for the future.

The institution of museum serves the same purpose. It brings together objects from past, which illustrate (and forge) the ‘history’ of a society. But there is a difference between general public and official bodies, when it comes to the question of heritage here. Since art and culture have been low on priority of the state, the decision of what should be shown to citizens in a museum is of no real importance for the government, unless these contain political stuff that challenge’s state’s supremacy and ideology. Thus museum officials are more or less independent on matters of what to exhibit in that public space.

However, the general population has a peculiar approach towards the institution of museum. When people in Pakistan visit museums they may be shocked to find nude statues from ancient times, which belonged to this region. Or just the fact of seeing sculptures in galleries can surprise them, since for a majority of them this kind of art is not permissible. So when they view these artefacts and sculptures — occasionally with some erotic overtones — they may consider these ‘foreign’ elements, which had nothing to do with their history. Naked figurines from Harappa and Mohenjo-daro, bronze sculpture of buxom women from Gupta period, and semi-clad male and female characters from Taxila carved in stone are seen everyday by hundreds of visitors, mostly Muslims and coming from ordinary backgrounds across the country; but one wonders upon their reaction to these ‘inappropriate’ pieces of museum exhibits.

The general population probably detach these objects, thinking them as from another period and culture — as distant as China, Japan or Africa. So the totality of our history is not owned, because these clash with the present moral and national constructs. In this scenario the museums in our midst are not only houses of ancient art and artefacts; they need to perform a task greater than just preserving the past. They can communicate a broader notion of past, which is not discarded; by linking the past exhibits with the present pictorial practices. Perhaps a programme that connects the pieces from our unacknowledged and forgotten history with works of art and craft from contemporary times will make people realise that the past is not just a distant and cut off entity, it relives in our own era.

This is more important because the visitors to a museum range from different walks of life, especially those who never stepped into an art gallery or never opened a book or publication on art and aesthetics. For them, museum can perform the role of reminding our wider, diverse and artistic cultural heritage, only if these are linked with their lives and experiences. In an identical scheme, the works of art, especially paintings from the last 63 years and even beyond, can be displayed in such a manner that for an ordinary viewer, these can be more than just examples of an alien activity: high art.

A rehanging of the museum collection with the art and other visual objects from our epoch can communicate the essence of art, of being relevant for all ages — to a viewer from smaller cities  who otherwise never had a chance to relate to works of art which have somehow become a luxury.

 

 

Fond farewell

Dear All,

It is time to say farewell to Bush House, that iconic building dominating the southern end of Kingsway and home to the BBC World Service for so many decades.

By the end of this summer, all sections of the World Service will have moved out of Bush House and into a shiny new building near London’s Oxford Street (that grand shopping mela that just goes on and on).

The World Service just celebrated its 80th birthday so we had a bit of a bittersweet celebration: happy 80th plus goodbye Bush House. Older radio listeners might remember some of the typical sounds punctuating our transmission: the bell chimes of Big Ben, the delicious “This is London” announcement, the energising beat of the Sports Roundup music, the lovely tabla beat opening of the 8pm Urdu programme Sairbeen...

Well, all these things have changed and so must we. We will be in our new office ‘New Broadcasting House’ this week, one of the first groups to move there. And I suppose we will get used to the colourful modern interior and huge windows and forget the quaint charm of Bush House and its wonderful no-nonsense broadcast studios — so sensible and so efficient.

I have worked at Bush House for over a decade and almost every day that I have gone into work I have reminded myself how lucky I was to work here.

Bush House has changed greatly over the years, I have seen it go from smoking to totally non-smoking zone. At one point the Club bar in the basement was the only room you could smoke in the entire building but even that changed. Senior, now retired, predecessors remember a different Bush House: it may have been during the Cold War but they all seemed to have had a jolly time: smoke -filled rooms, and gambling and intellectual discourse —— all in the office, and with some broadcasting thrown in between card rounds!!

As we are off to new beginning at a shiny, modern office on the West End, we say: farewell Bush House and thanks for the memories...

 

Best wishes

Umber Khairi

 

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