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India's
ramp rush obituary In the picture starbytes instep
profile Tremors Musical Notes Vibes
India's ramp rush The Spring/Summer 2007 edition of Wills India Fashion Week was held in Delhi from
30th August to 3rd September and the focus of the event shifted from being outrageously glitzy in April (thanks to Bollywood stars being the centre of attraction)
to quietly efficient. With designers creating two
coherent collections a year and with
obituary "If I'm going to
die," the late Crocodile Hunter Steve Irwin said in a 2002 interview,
"at least I want it filmed." And now, days after his death while
filming in Australia's Great Barrier Reef, the most important question that
surfaces is: should Irwin's death be considered an unfortunate, untimely
tragedy or should there be a lesson in it to respect wildlife and keep that
respectable distance from the dangers of getting too close. Irwin died after he was struck in the chest by a sting ray's poisonous barb. He was in the area to film pieces for a show called The Ocean's Deadliest but weather had prevented the crew from doing work for that program. Instead, "the wildlife warrior" (as remembered by Aussie friend Russell Crowe) decided to do some softer features for a new children's TV show he was doing with his daughter, Bindi. Reportedly Irwin had accidentally boxed the stingray in when it stopped and twisted and threw up its tail with the spike, and it caught him in the chest. It was as if he had been stabbed with a dagger. Experts have suggested that the serrated barb may have caused more damage to the heart tissue than the poison, itself – something Irwin should have been aware of - and he may have lived had he not pulled it out suddenly, causing further damage and loss of blood. Perhaps his wildlife expertise ended with the crocs. Nevertheless his death, at the age of 44, has caused massive hysteria in Australia. Sentiments of his fans have been compared to those felt at the death of Princess Diana. But eulogies to Steve Irwin
do not all ponder on a grieving note. Australian feminist Germaine Greer
commented to The Guardian that she "had not much sympathy" for
Irwin whose behaviour she found "bizarre" especially after he In 2002, Steve Irwin's adventure of taking his baby out to feed the crocs in Australia Zoo made headlines internationally and prompted comparisons with Michael Jackson's notorious dangling of his baby over a balcony. Mr Irwin also earned a reprimand from Queensland's Department of Family Services but he defended his actions, saying it was important to teach kids about danger. Right Wing News published a spoof of how they thought it probably happened… Staff Member: I don't know if it's a good idea to take your baby out to feed that croc... Steve Irwin: Nonsense, mate. You're always such a worrywart! Remember that time you told me not to take a flying leap into that rattlesnake nest? Staff Member: Steve, you were bitten 8 times. If we didn't have the antidote on hand, you would have died right there! Steve Irwin: See? It worked out fine! Roll cameras, I'm off... Staff Member: Wait, wait...Steve... Steve Irwin: (takes the baby out to feed the croc, filming starts) "Crikey mate! These crocs have a great sense of smell and this little sheila here knows this is my baby. That's why she'd like nothing better than to snatch this sweet, succulent, baby out of my arms and eat him like an hors d'oeuvres to make up for all the times I've taunted her on camera. Woah, she almost took a nip out of my baby that time! Boy, I would have looked pretty silly if that had happened, huh mate? Ok, now let's try something a little different...I'm going to dangle this baby right over the croc's mouth. She's not going for him yet! Let's see what happens when I rub the baby across this angry crocodile's nose...ohhhh wow! She came this close to biting him right in half...that was scary! She's thrashing left and right, she's really kill crazy now! Boy, these crocs sure are beautiful when they're trying to rip a baby out of your arms and eat it alive in front of you! (Hops out of the croc pen) Well, that was a real adventure wasn't it? Make sure to come back next week when I place my baby in between an enraged mother hippo and her baby! They really hate that, more than anything! See you next week everybody! In the picture Omkara***** *ing Ajay Devgan, Saif Ali Khan, Kareena Kapoor, Konkona Sen Sharma, Vivek Oberoi, Bipasha Basu and Naseeruddin Shah Directed by Vishal Bharadwaj Who would've thought that an Indian director would make
it his mission to Indianise the Bard? Who could've guessed that Saif Ali Khan
would portray one of the most deliciously evil villains in cinema history?
Who would've Omkara succeeds where Baz Luhrmann's ambitious Romeo and
Juliet failed on many counts. Whereas the modernized Romeo and Juliet was
somewhat flippant, I mean, how innocent can adolescent love be in the Big
Apple, Omkara, despite not borrowing the blank verse of the Bard retains the
intensity of Othello. Setting Shakespeare's great tragedy in a little Indian
village where medieval values continue to rule give Omkara a solid spine on
around which director Vishal Bharadwaj weaves the intricate plot of decit and
betrayal that stems from Iago's, (in this case Langda Tyagi's) mind. Othello was the Moor of Venice, Omkara is the leader of gang of thugs in a village Uttar Pradesh. Iago was his right hand man as is Langa Tyagi here. Cassius was the man Othello chose as his Lieutenant, so Kesu (Vivek Oberoi) is here. Fair Desdemona becomes lovely Dolly (Kareena Kapoor), Bianca is essayed by Bipasha Basu and Emilia by Konkona Sen Sharma, while Naseeruddin Shah takes on the role of Bhaisaab the all powerful headman of the village and Omkara's mentor. His Indianised interpretation of the Duke of Venice is bang on target. The incredible thing about Omkara is that it is by far
one of the tightest Langda Tyagi is easily one of the most memorable baddies in film history. A man who manipulates a people around him in his quest for power and vengeance, the character is a dream role and Saif makes the most of it. Once the film is over, it is his Langda Tyagi who stays with you. It is a departure from what Saif usually does. If anything, this role builds on his bad ass character in Ek Haseena Thi and he takes villainy to a whole new level. This is one performance that has to be seen to be believed. The music is mediocre at best, but one will hardly notice it. This film is so not about the songs. The most pertinent one in there is 'Jag Ja',that makes Omkara and Dolly's tragic love story even more poignant. What is more at display here is Bharadwaj's mastery over story telling. Whereas I found Maqbool a bit too adventurous as far as shots were concerned (they were too MTV for a retelling of Macbeth), Omkara is shot as a classic. This is not Vishal Bharadwaj proving what an experimental filmmaker he is. Omkara is a story filmed with a quiet confidence and an insight into Othello that is disquieting with its attention to detail. And for anyone out who finds Shakespeare boring, Omkara has one up on Ram Gopal Varma's Company and Sarkar. It is a cinematic masterpiece without being slow moving art house cinema. It is a multi starrer that doesn't aim for box office gold. It is an adaptation of Shakespeare that is a contemporary story very well told. Omkara rocks. If you don't see it, you obviously don't. – Muniba Kamal
Ratings: *YUCK **WHATEVER ***GOOD ****SUPER *****AWESOME
Aishwarya sizzles on Aishwarya Rai's popularity in Bollywood soars as her much
awaited releases Umrao Jan and Dhoom 2 are around the corner. She's also
ready to sizzle in Hollywood as The Last Legion is slated for release on
January 19th 2007. The period drama produced by Dino De Laurentiis
Productions stars Colin Firth, Amitabh branches out further Bollywood icon Amitabh Bachchan will be co-writing the
script of Johnny Walker with Renzil D'Souza, storywriter of Rang De Basanti.
This will be Omkara survives the courts It's a relief to know the Mumbai's sessions court has
cleared Omkara after refusing to put a ban on it for vulgar language and bad
taste. Bollywood actor Naeem Khan had moved a city civil court seeking a ban
on the film Suri and her bronzed poop go on display Born on the 18th of July, Baby Suri Cruise has finally
made a public Ellen DeGeneres to host next year's Oscars It has been announced that Ellen DeGeneres, host of The
Ellen DeGeneres Show and the sitcom, Ellen, will be hosting the 79th annual
Oscars ceremony
Touching base with Strings Instep catches up with Strings to find out why they've been missing from the local music scene… Making a mark Out of the local pop musicians, if there is one band that has consistently proven itself over the last few years, it is Strings. If Duur established their comeback (after an 8-year break), Dhaani re-affirmed them as one of the pop pioneers of the local music world, once and for all. Last time one saw Strings, they were happily singing 'Zinda' with Sanjay Dutt and John Abraham in a video... Where are they? Since late last year,
Strings have been rigorously touring India and USA. So But what about an album?
That is the question that arises in the minds of fans and critics alike. One
factor that has historically affected the music industry is the dearth of
consistency in artists. Two years is more than enough for any band or artist
to release a studio album. On the contrary, here it seems that bands are
adamant in taking three years for a commercial release. Sometimes, even four.
Such is the case with Strings. Their last album came out in 2003 after which
they still haven't gone into studios. In a music industry like ours, good
albums are a rarity. There aren't enough musicians, even today, despite the
industry churning out bands everyday. When a band like Strings takes so much
time for one album, it is disappointing. But Strings beg to differ. "Once the album releases, first 4-5 months go by in Pakistan. Then we go to India. We're not only studio artists. We have to go out and perform these songs. Sometimes, we make songs only because we can perform them live. This year, we thought we would do a complete tour," says Faisal and Bilal (the quieter one in the duo) adds thoughtfully, "It's definitely a wrong time for someone whose been waiting for our new album. But for us, time goes by really fast. We really haven't had the time to just sit down and work on the new album. The concert circuit is increasing, so much media is happening, television shows et al. Between all of that, we face time constraints. Right now, we have about 20 new songs but we need to dedicate 3-4 months at least. After our tour is over, we'll start working on our new album." The last major hit Strings gave was 'Zinda Hoon' that came out late last year. Not only was the project high profile, it featured one of the biggest actors of Indian cinema. Strings aren't the first ones to sing for Bollywood. But unlike other local musicians, they know how to pick a project. Despite the film not doing well, Strings took a quantum leap in terms of popularity. After all, Bollywood is the biggest league to be in as far as Indian music is concerned. And how it must've felt like working with Sanjay Dutt! Sitting calmly in gray shorts and green t-shirt, Bilal Maqsood explains, "Sanjay Dutt is an extremely cool guy, very friendly. We were shooting for the video when he walked in. The shooting stopped and there was silence. He came towards us, shook our hands and he started talking to us and invited us for dinner to his place. We ended up chatting with him till 3 in the morning." If there is one thing that sets Strings apart from other bands that seem to disappear after one album and sometimes before that, it is the relationship that these two men have. Behind that stardom that surrounds them, this band has a foundation. Before musicians and stars, they are friends who share a common vision when it comes to music. Bilal openly confesses that the fact that they are two makes them more powerful. In the Indian music community, as far as pop music goes, Strings are a huge success. They have been continuously going to India for the past three years and by know, they know the 'ins' and 'outs' better than anyone else. Question is why do so many local bands end up in India, all the time? The voice of the band, Faisal answers for the duo, "We can just talk about ourselves. We went to the Indian market because when we released Duur, we didn't know anything else that was going on. Then we found out that during those 8 years, in 1992, 'Sar Kiye Ye Pahar' was a huge hit in India. We didn't know the impact of the song in India. When we released Duur, someone in India contacted us and said that you guys should release the album here. If we have fans there, it is our responsibility to release albums there. Now, after so many concerts and releasing two album there, we consider ourselves a part of that industry also." For Strings, India is a stopover that gives them the mileage they need to break in to other territories. This attitude of knowing how to play their cards right only comes with experience and knowledge. And when it comes to experience, Strings are an old hand. They have seen this music industry grow in the last few years and media expand like never before. Post-Alamgir and Nazia Hasan, it was Strings alongside Junoon and Vital Signs that gave music industry a leg to stand on. But with every success story comes a certain amount of criticism. With Strings, often times it becomes a mystery as to why they do so many videos. Two to three videos are enough for one album. One should quickly move on. From Dhaani, Strings released 8 videos. The number is shocking. "At times, a song has its own identity and a video ruins it. I do believe so but videos are an important medium of communication," says Bilal Maqsood with an air of confidence. In terms of musical achievements, Strings will certainly remember last year when they won MTV Asia Award for Best Band. Sadly, they don't share the same sentiment for local award shows. Strings don't believe in the credibility of award shows in this country. With exception to the Lux Style Awards that works on a 50/50 ratio of popular voting as well as credible jury, most award shows give out awards for their own biased reasons. " We don't care about awards. Initially we did but not anymore. Here, most award shows have a certain deal in mind. Whichever band is performing and/or attending should be awarded. In one award show, Dhaani wasn't nominated even though it was one of the biggest albums of that year. Another time, we were told that we were being awarded Best Band but that went to someone else even though we deserved to win. Sometimes, one does feel bad. One time, our lyricist Zehrah Nigah was spelled as Zehri. The name was on the jacket. Even if we weren't being awarded, there was no need to misspell the name. Now we've come to a point where we don't want to be nominated. Ask us to perform and we will. But no more," says Faisal gruffly. But things haven't always been easy for Strings. Like others, they too are criticized for playing DAT concerts. "We don't do DAT shows. If we're not confident about the sound of a particular concert, we say that we're not going to perform because we like playing live. You can't change the sound system overnight. Equipment has to be upgraded. This is Pakistan, one has to do with what's available," says Faisal retrospectively. And if there is anyone who understands the importance of AMPP (Association of Music Professionals of Pakistan), it is Strings. After all, it has been years since they've been around and so far, the concept of royalties has remained lost on pirate labels as well as music channels. Both Bilal and Faisal agree that this formation is important. But how far will AMPP actually go? It's easier said than done. How does AMPP plan to counter issues such as piracy? "You have to realize that AMPP is being formed right now. Whatever AMPP does, it'll involve everyone. They are not going to make any stupid or silly decisions. There are a lot of things that have yet to be decided. What steps to take and how? Everyone is just coming together on one platform and trying out solutions. It is too soon to say what actions will be taken because AMPP isn't active yet. We are fully on board with AMPP," explains Faisal Kapadia who believes that once the formation happens, then one will have a clear picture of how the music industry can come together to counter injustices. What's next? These days, Strings are busy touring Pakistan. Next step will be rounding up Zinda Tour by November/December this year. Then, Faisal and Bilal will go into studios later this year to record a new album. In between all this, they are also releasing a single, 'Beirut'. According to Faisal, "It is an anti-war song and its video will be out very soon." In this day and age, when local music industry is churning out more quantitative bands qualitative, Strings are one of the few, really good ones out there who show hope and promise that music will not remain stagnant. So what if they have to spend so much time out of the country to ensure our music moves on?
Kill your ustaads! Oh how this thing about "being able to play jazz"
has turned some of our leading and most talented players sounding like elitist
whiners (read navel gazing wankers!). Couple this with a recent trend of
claiming to be All this talk about being able to play jazz and getting "trained by ustads" is plain hogwash! Now more than ever. It takes out the element of surprise and spontaneity from the music, leaving aspiring acts overtly conscious about being "technically correct." Junoon were never technically correct, and mind you, never
were the Signs. However, in the pop and rock context, their music remained
largely interesting, progressive
and outstanding. In "post-modern" art forms like pop and rock, being technically correct is a big hindrance. Even when '70s progressive rock acts like Yes, ELP, Jethro Tull or King Crimson gloated about being technically correct, equally important to them were the social (and sometimes political) relevance of the concepts behind their music/albums and the lyrics. Technical correctness has nothing to do with talent or creativity. It is just about skill. After all, the
most influential and cutting edge acts have mostly been those who had more to
do with the social relevance and intelligence of their music and lyrics and
their penchant for willfully stretching the boundaries of the aesthetic
dynamics of pop and rock. Acts like Led Zeppelin, Black Sabbath, Pink Floyd,
Sex Pistols, The Clash, Joy Division, Public Enemy, Nirvana and Radiohead come
to mind. None of them was particularly known for their "technical
correctness," as such. Moreover, who said that a progressive and experimental act could not be commercially successful as well? Not only were/are these acts aesthetically adventurous and consciously relevant in the socio-political context, they were/are commercially successful as well. The dearth of music that is more than just a fleeting
pleaser in the current scene I believe is due to the misplaced priorities of
most present acts. They are spending more time polishing "technically
correct" (but highly formulaic) gloss. None of them gives a thought as to
what amounts to music that out lasts their makers and cuts across not just one,
but a number of generations. Instead, they are working around tons of
limitations; all dictated to them by the prevailing, dumb-down projected tastes
of the mass market, the corporations and the entertainment media. They are
stuck in the rut of mass-producing likable gloss … albeit
"correctly."
Into the void I will now go through some recent releases to exemplify the concerns I have aired above … Rung: Green This album is a classical case of a talented outfit
nervously chasing projected tastes of the market and related commercial
expectations only to end up Noori: Peeli Patti Aur Raja Jaani Ki Gol Dunya Noori's first album was a capable compilation of
lightweight pop-rock. It was not such an exciting indication of their early
"underground" credentials, but it had its competent commercial
moments. Of course, the way the band was marketed by IM as a bubbly, ubiquitous
and a staggeringly irritating boy band was quite a sight, and it is nice to
know that Ali Noor eventually ended up kicking himself for such a move.
Therefore, it was expected that the band's next album would finally shrug off
its uncalled for boy band image with a Call: Jilawatan What was the hype all about? I had heard so much about this band that I thought maybe the land's next Junoon, Strings or Signs were just round the corner. Jilawatan said nothing to me. Nothing more than yet another promising band letting its music be cynically manufactured to feed "mass taste" projected by the advertising hungry needs of silly 24-hour music channels. I'll Call it quits! Annie: Princess Annie is not here to save the day for Pakistani pop. She is here to rule as the Britney Spears of the East. Her music maybe tossed aside as a tasteless, disposable joke among the more tasteful among us, but she seems pretty serious about it. Because in the realms of pink-stricken kitsch pop, she truly rules. And since every frog has its day, one day one such frog shall turn into a handsome young prince and take our bouncy Princess the hell away! Please. Najam Shiraz: Yeh Moamla Koi Aur Hai Yeh Najam koi aur hai! What a crackling talent this guy used to be, until he discovered the "true meaning of Islam." Lucky him. However, not only did he discover this, he discovered another obvious aspect attached to religion: The commercial and popularity mileage that it gives to its high profile preachers, especially in a spiritually warped country like Pakistan. Therefore, like an honest, passionate Muslim he decided to invade the music market with an album full of naats that was marketed like a pop album! The message of this once very concerned quasi-Socialist? Simple. Do not look outside. Forget what is happening around you in the material world, its problems, troubles, injustices. Look inside and gloat in your own "spiritual light." Yea, right. Tell this to the poor, grandpa! Omer Inayat: Be The One The frog prince to Annie's slog princess. Both come loaded with jaali Brit-Pakistani accents but not without its entertaining values. Look towards them if harmless disposable pop pleasure is your cup of lukewarm chocolate, otherwise "new talent" such as this is certainly not the answer to the social and aesthetic lethargy Pakistani pop has fallen into.
Greenday join U2 The Irish rockers are once
again back to studios to work on their 12th studio album. And joining them is
punk rock band Greenday, who will record a song to benefit hurricane Katrina
hit victims. Buzz is that the song will be a first Cat Stevens back to music Yusuf Islam, formerly known
as Cat Stevens is all set to make a comeback to music as he announced the
release of his first pop album, after almost three An Other Cup, his latest offering will feature of a cover of the Animals hit, 'Don't Let Me Be Misunderstood' while the debut single will be 'Heaven/Where True Love Goes'. Watch this space for more on Cat Stevens/Yusuf Islam! Keane scraps tour Keane, one of Britain's
most successful piano/rock band recently postponed Pete Doherty wants to marry Kate Moss After 18 months of
'breaking up' and 'getting back together', Pete Doherty CHARTS "Success always necessitates a degree of ruthlessness." - Sting Pakistani 1. Sawal - Rushk 2. One Light Year at Snail Speed - Sajid and Zeeshan 3. Overload - Overload 4. Peeli Patti Aur Raja Jani Ki Gol Dunya - Noori 5. Social Circus - Ali Azmat Vilayti 1. Stadium Arcadium - Red Hot Chilli Peppers 2. X & Y - Coldplay 3. Back To Bedlam - James Blunt 4. Loose - Nelly Furtado 5. PCD - Pussy Cat Dolls Hindustani 1. Kabhi Alvida Naa Kehna 2. Bas Ek Pal 3. Fanaa 4. Gangster 5. The Killer
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