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1. 'Extreme Ways' Moby
Moby is easily amongst the last great experimental artistes left in America. His music is one that cannot be contained in one single genre. With electronica, techno and ambient rock all playing a huge part as influences, the DJ/rocker is quite the music wizard. 'Extreme Ways' which is off Moby's 2002 album 18 is a fabulous track. With Moby providing somber and somewhat detached vocals to this slightly tipsy tune and with a powerful wordplay that goes, "Extreme ways that help me/That help me out at night/Extreme places I had gone/But never seen any light/Dirty basements, dirty noise/Dirty places coming through/Extreme worlds alone/Did you ever like it planned", it makes for a phenomenal song. Even though, 'Extreme Ways' has always been overshadowed by the more commercially known track on 18, that is, 'We Are All Made of Stars', but amongst the fan base of Moby, it is considered a classic. Later on this song got picked up by Hollywood's Bourne franchise and has been featured in all three films, helping Moby garner worldwide success. Currently Moby is working on a new album, slated for a February 2008 release. But just for now, give 'Extreme Ways' a try. And if you like this, other fun Moby numbers include 'Lift Me Up' and 'I'm Not Worried At All'.

 
2. 'Umbrella' Rihanna featuring Jay-Z
Ever since her Pon de Replay arrival in summer 2005, Rihanna has been ever-present on pop radio. After topping the charts with two killer dance-pop records, the Barbados singer changed things up with the hit soul-searching ballad 'Unfaithful'. Her label Def Jam is once again wasting no time in releasing new material, jumping forward with new single 'Umbrella'. The song combines Rihanna's serious side with her dance floor sensibilities to make for her best track yet.
The song's drum kit and driving bass line create an edgy, rock-hop sound adding immensely to Rihanna's aggressive vocal performance unlike her past work, where Rihanna's teenage voice carried about as much charisma as a bowl of water. Her uncanny knack for melody, however, has been able to make up for any vocal shortcomings.

On 'Umbrella', Rihanna is beginning to show major signs of musical growth as she sports her most impressive and aggressive vocal performance to date. Her uniquely pronounced 'Umbrella' makes for a very addictive hook.
It is unique in that it is constructed of a hip-hop beat but has an edgy rock sound. The song is somewhat stripped-down and consists mostly of a standard drumbeat up until the chorus. At the hook, however, Rihanna kicks her vocals up a notch alongside a roaring bass line. The experience culminates in Rihanna's catchy, repetitive pronunciation of the song's title.

Although 'Umbrella' kicks off with an unnecessary and somewhat uninspired rap from label boss Jay-Z, Rihanna more than makes up for the early misstep as she convincingly sings about keeping a relationship together no matter the circumstances. If this lead single is any indication, the upcoming third album, Good Girl Gone Bad should be her best yet.
 

3. 'Karma Chameleon' Culture Club
'Karma Chameleon' is a song from British band Culture Club. The song spent nine weeks at number one on the U.S. Billboard Hot 100 in 1984, becoming the group's biggest hit and only U.S. number-one. The song hit number one in sixteen countries worldwide. In their home country the single became Culture Club's second song to top the UK singles chart, staying there for six weeks, being the biggest selling single of the year.

The 'Karma Chameleon' music video is set in Mississippi in 1870 - it depicts people in colourful costume, including dancers in "red, gold and green", waiting on a riverbank. Boy George is dressed in even more colourful and flamboyant costume and is depicted singing the title song. Throughout the video, black and white people are depicted singing and dancing together, a rather unlikely scenario at the time and place where the video is supposed to be set. A light, springy number, 'Karma Chameleon' ought to be listened to on lazy Sundays!

 
4. 'Duvet' Boa
Formed in 1993 in England, this alternative rock band is known outside the United Kingdom through their one and so far only hit, 'Duvet'. Featuring sultry singer Jasmine Rodgers on vocals, Steve Rodgers on guitars, Alex Caird on bass and Lee Sullivan on drums, Boa is an essentially alternative rock music outfit that hasn't been able to break out as a massive musical entity like contemporaries The Corrs, Arctic Monkeys, KT Tunsall or Amy Winehouse, to name a few.

Even though, musically 'Duvet' isn't very edgy or experimental, it works effectively because of its desperate vocals and tortuous wordplay that goes, "And you don't seem the lying kind/A shame that I can read your mind/And all the things that I read there/Candle-lit smile that we both share/And you know I don't mean to hurt you/But you know that it means so much/And you don't even feel a thing".

Interestingly enough, Boa signed their first album deal with a Japanese record label called Polystar and their debut album, Race of a Thousand Camels, was only released in Japan. 'Duvet' was then featured in an anime series and won this band limited international popularity. It was in 2001 with Twilight, their first album release in US through which Boa rose to some success. 'Duvet' was also featured on this album. Boa went onto release another album, Get There, in 2005 and is currently working on some material but the release remains unknown. For now, give this British rocking band a chance. They really deserve it!
 
5. 'A Saucerful of Secrets' Pink Floyd
'A Saucerful of Secrets' is a multi-part instrumental by the king psychedelic band Pink Floyd from an album of the same name, released in 1968. The track lasts almost 12 minutes and was composed by band members Roger Waters, Rick Wright, Nick Mason, and David Gilmour. It is very much an experimental, avant-garde piece featuring howling feedback, menacing percussion, and wordless vocals.

'A Saucerful of Secrets' (originally known as 'The Massed Gadgets of Hercules' in its earliest performances) became a Pink Floyd live staple from 1968 until 1972.
Roger Waters once stated in a Rolling Stone interview that this song was about a battle and the aftermath. Eerie, psychedelic and so-very Pink Floyd – 'A Saucerful of Secrets' should best be kept for dark days…quite a number.

 
6. 'Evil ways' Santana
'Evil Ways' is a song by Santana from their 1969 album Santana. It's about a girl who is spiteful. "You've got to change your evil ways, baby/Before I stop lovin' you." She makes her boyfriend jealous by hanging out with her friends. "You hangin' 'round, baby/With Jean and Joan and-a who-knows-who." She is constantly letting him down. The middle section includes a Hammond organ solo while the outro section, where everything speeds up, includes a 90-second guitar solo performed by Carlos Santana. Some organs accompany his guitar until it fades out. Released as a single in early 1970, it became the band's first top forty and top ten hit in the U.S. peaking at number nine on the Billboard Pop Singles chart. Download it now.
 
7. 'Jive Talkin' Bee Gees
'Jive Talkin' was a song by the Bee Gees, which hit number one on the Billboard Hot 100 and reached the top-five on the UK singles chart in the summer of 1975. Largely recognized as the group's "comeback" song, it was their first U.S. top ten hit since 'How Can You Mend a Broken Heart' in 1971.
The song was originally called 'Drive Talking'. Producer Arif Mardin wished to market the song toward the teen market, and suggested the change to Jive Talkin (the phrase "jive talkin'", slang for "telling lies", was a popular colloquialism at the time).

The pop-oriented sound was a departure from the contemporary ballads the Bee Gees had become known for. With the new sound, the public had gained a newfound interest in the Bee Gees and their music. The single sold over a million copies in the US alone. While not a top seller in the UK, it did mark the first time in three years that a Bee Gees single had charted there. The song is one of those early dance hits that is reminiscent of the big hair, discotheques and 'grooviness' of the '70s.